节制的澎湃──从米开朗基罗的雕塑作品与旁的作品的比较中看雕塑的形体与空间及其营造出的“气感”.pdfVIP

中国美术学院——雕塑系——袁飞——节制的澎湃 中文摘要 雕塑的制作无非是雕塑家对形体与空间进行归纳和整合，通过具体的形体面 貌塑造以及空间关系的经营，规划出一套符合自身审美需求的造型。而米开朗基 罗的雕塑作品在继承了古代希腊、罗马雕塑形式的同时，对归纳与整合方面做出 了突破，与原先的单元形框架归纳相比，他的雕塑更倾向于动态归纳，其形体面 貌往往都是为了从视觉上强化空间动态关系而存在的，而这种对空间动态的强化 使米开朗基罗的雕塑作品具有一种滚滚翻腾的澎湃力量。同时，与后世巴洛克雕 塑华丽的翻腾形式所形成的舒展而又繁复的外轮廓相比，米开朗基罗雕塑的外形 显得更为规整和节制，从而在视觉上形成了一种似乎在外力压制下的形态，而这 种制约的力量使那股翻腾的澎湃力量更显汹涌。这种内部形体的翻腾与外部形态 的制约，形成了米开朗基罗雕塑的审美特点，即标题所述节制的澎湃。 Abstract Sculpture is nothing more than the production of form and space on the induction and integration by sculptors, through specific physical features and spatial relations shape the business, planning a set of shapes suitable to their own aesthetic needs. And Michelangelos sculpture of the ancient inheritance of Greek and Roman sculpture in the form at the same time, integration of induction and made a breakthrough in the framework of the original sum compared to the cell shape, and his sculptures are more likely dynamic induction, the physical appearance are often visually enhanced space for the dynamic relationship exists, and this enhancement of spatial dynamics to Michelangelos sculpture has a rolling somersault surging power. Meanwhile, later tossing the form of gorgeous Baroque sculpture than Michelangelo sculpture is much more structured form and restraint, resulting in a visual form seems to form under external pressure, which restrict the power of make more sense of power surging . This form of churn within the constraints of the external morphology is the formation of a Michelangelo sculpture, the aesthetic features, that is described title the surging under control. 5 中国美术学院——雕塑系——袁飞——节制的澎湃 引言 在具体的论述之前，需要先来界定一些词语在本文中的所