娇女召唤回应模式及其黑人美学思想.docVIP

娇女召唤回应模式及其黑人美学思想 　　内容提要：召唤?不赜δＪ匠＜?于劳动歌谣、布鲁斯及灵歌、布道词、口头故事，集中体现了黑人美学的核心价值。作为一种叙事技巧，召唤-回应模式揭示了作者、读者、文本之间潜在的关系：多重互动与融合。《娇女》的文本语境强调了视角的多元化。叙事在螺旋式攀沿中形成一种警示性召唤：读者必须全方位思考而决不可抓住某个单一事件完成价值判断。声音的默契是集体力量的象征，它折射出黑人艺术的社会功能性。小说中“一领众和”的召唤?不赜δＪ搅榛畹夭蹲剿布浼词诺娜擞胧拢?即兴地再现了黑人美学的精华。在声音的概念上――谁说、跟谁说、说什么表明了欧洲传统与黑人传统的差异。莫里森把民族精神统摄于一个艺术大系统，通过民族语言和音乐召唤着黑人自我的完整性。 　　关键词：召唤?不赜δＪ? 即兴 《娇女》 托妮#8226;莫里森 　　作者简介：嵇敏，教授，四川师范大学外国语学院院长、硕士导师、四川师范大学女性研究中心主任。目前从事美国文学与文化、中西方女性文学与文化研究。本文是教育部人文社会科学“十五”规划第一批课题《从边缘到中心：当代美国黑人女作家和黑人女权主义》的部分成果。项目批准号：01JA750。47-99009。 　　 　　Title: Call??and??response in ??Beloved?? and Black Aesthetic 　　Abstract: Call??and??response is widely used by black people in work songs, blues, spirituals，sermons and oral tales, showing the important value of black esthetic. As a narrative technique, call??and??response focuses on the potential relationship that is based on multi??channelled interaction and participation among the writer, reader and text. Unlike Western hegemony?s suppression of the multi??sided voice in the text, ??Beloved?? emphasizes pluralistic perspective. The narrative in its way up sends a call to readers that careful and full??scaled thinking is needed before he makes his value judgment. The narrative voice symbolizes collective power, reflecting the social function of black art. In ??Beloved??, the typical example of call??and??response in which one make a leading call and others response in chorus catches up with what might disappear quickly. Therefore it represents the essence of black art. Moreover, call??and??response is often used in sermon as shown at “The Clearing” which responses to the meaning of the novel. Besides sermon, work songs that serve as the agent of black art show improvisation. Baby Suggs’ call, others’ response and Paul D?s work songs all share improvisational commonness. The concept of voice tells the difference between European tradition and black tradition. In ??Beloved??, Morrison puts the power of black people into an artistic system in order