青岛大剧院、天津大剧院.docVIP

青岛大剧院、天津大剧院Qingdao Grand Theatre and Tianjing Grand Theatre AT：就剧场建筑设计而言，可以说外国设计师拥有先天优势——历史悠久的剧院与其文化影响着每一个 人。然而在中国，剧场建筑本属于舶来品，要在现代城市中设计重要的剧场建筑，从实践的角度，您认为首 要的出发点在哪里？这与国外剧场建筑设计有何不同？ Stephan Schuetz: Theatres are primary objects of the city. They create identity and enrich enhance public life. More than other public buildings theatres should take up the local spirit and tradition in order to transform it into modern architecture. 剧场作为城市的主要建筑，将体现出城市的个性特征，丰富和提升公众生活。可以说剧场比其他公共建 筑更需要承载地方的精神与传统，并将其在现代建筑中表达出来。 AT：青岛大剧院与天津大剧院设计中，作为城市重要标志性文化建筑，建筑如何获得与城市空间、环境 的呼应？同时建筑形态如何体现其所处的城市特色？ Stephan Schuetz: Both buildings communicate with the context of the city or landscape. In Qingdao the Grand Theatre transforms the Laoshan Mountain into architectural volumes, which are interwoven with a cloud-like roof floating around the volumes. This motif reflects many pieces of art showing the Laoshan in the history of Chinese Painting. A raised podium allows a fantastic view to the Yellow Sea as well as to the mountain scenery. In Tianjin, the raised circular volume opens up to an artificial lake, creating a “sky volume” in contrast to the existing Tianjin Museum, which is a circular form as well but designed as an“ earth volume” with a slope roof. The existing building and the new theatre interact as counterparts of the new cultural park. 无论是青岛大剧院还是天津大剧院，设计都是基于城市与景观背景之上的。在青岛大剧院中，设计借鉴“崂 山”这一景观，将一个似云般漂浮着的屋顶与建筑紧密结合，中国传统绘画中的崂山景象在这里得到了反映。 同时，站在建筑中一个升起的乐队指挥台上，可以看到黄海和崂山的壮观景象。在天津大剧院中，升起的圆 形体量被置于一片人工湖中，创造出一个“天”的概念。已有的天津博物馆通过一个有着斜坡屋顶的圆形体 量创造出“地”的概念，从而两者形成对比。已有的博物馆和新剧场进而在这个新的文化公园中相映成趣。 AT：对于两个多功能的剧院建筑，其所创造的公共空间对联系不同功能部分起着至关重要的作用，那么 两个剧院对建筑公共空间（如共享大厅、休息空间等）如何处理？建筑内部公共空间与外部公共空间相连接， 如何创造出对城市更有意义的公共环境？ Stephan Schuetz: I would like to take two theatres as an example how public space is interwoven with interior foyers. In both theatres the foyer space is raised from the ground in order to emphasize the importance of the theatre as a public building. D