中国古代漆器纹饰艺术衍化研究-湖南博物馆.PDF

2009 1 : * 张飞龙 ( 710061) : 漆器的发明是人类迈向文明门槛的历史见证在器物上髹漆就具有了装饰意味, 无论是史 的朱漆木碗, 还是夏 商周时期意象神秘的纹饰; 无论是战国时期的奇异浪漫神话传说, 还是秦汉时期流动飞扬的线条; 无论是隋唐时期的人文自然, 还是明清时期的诗情画意, 都具有特定的文化形态文化特性和文化意义, 成为人类可视的美好历史渊源人文历史的良好佐证 及标尺光滑的表面, 温暖的色彩, 绚烂的形象, 既具有强烈的形式美感, 又有对装饰图案色彩质感的肯定, 反映着人们内在 的生命欲求, 隐喻出人类对美好与舒适生活的神往, 表达了一定的思想内容和情感, 影响着人们的审美心理和审美习惯繁复 的髹漆技法, 延其神,传其意, 为后世留下了宝贵的文化遗产 : 髹漆工艺; 装饰艺术; 漆器; 纹饰 Abs tract: The invention of lacquerware is the historical evidence for human forwarding into civilization thresh old. It already has the decoration consciousnessby painting on the utensils, whether the prehistoric red lacquerwood en bow ls, orX ia Shang Zhou Chronology period mysterious mi age patterns; whether the singular romanticmyths and legends of theW arring States period, or flow lines of theQ in andH an dynasties; whether theHumanisticN ature of the Sui and Tang dynasties, or the idyllic of theM ing and Qing dynasties, which has a specific cultural patterns, cultural characteristics and cultural significance and becom es a better visualization of human history and the scale of good support. W ith the smooth surface, warm colors and gorgeous mi age, lacquerware not only has a strong sense of beauty, but also expresses a affirmation to the decorative patterns, colors and textures. It reflects the inherent desire of life, a bettermetaphor of the com fortable life and express a certain amount of thought and emotion, which mi pacts the peoples psychological and aesthetic habits. The complex painting technique leave a valuable cultural heritage. K ey w ord s: paint process; decorative art; lacquerware; ornam entation , , ,