对水墨画展览空间设计手法的探讨——以-对坐-展览为例.pdfVIP

创意与设计 | 设计教育与探索 Design Education and EXploration 067 对水墨画展览空间设计手法的探讨 ——以“对坐”展览为例 文 / 赵 娜 （南京大学 金陵学院） The Investigation of Spatial Design Technique of the Exhibition of Chinese Ink and Wash Painting: Taking Exhibition of “Sitting Facing Each Other” as an Example 摘要： 多元化文化背景之下，当今国内的艺术展览方式也开始多元化探索，空间形态、观者体验等日益被重视 起来，传统水墨画展览空间以及展览方式也引起了业界思考。展览空间形成的过程中，与其他由空间设计师主导的 设计方式不同，需要由策展人根据一定的美学概念，结合展品图像特点，提炼出展览主题，结合空间设计手法，包 括基本的流线、形式、材料、肌理、色彩、声光等设计，让观者感受到策展人塑造的独特的氛围、情境、场景，这 样可以呈现出独特的展览空间。本文以“对坐”展览为例，进行水墨画展览空间设计手法的探讨。 Abstract : W ith the growing of diverse culture, the current domestic art exhibitions have begun exploringmore diversified modes. More attention has been paid onthe spatial form and viewer experience. Traditionalspaces of displaying ink paintings and exhibition mode have also attracted the eyes within industry. As to the process of the formation of exhibition space, unlike other design methods led by space designers, it is necessary for the designer to extract the exhibition theme according to the certain aesthetic concept and image characteristics ofexhibits provided by curators. Combining the space design techniques, including the design of basic streamline, form, material, texture, color, sound andlight, the designer can present a unique exhibition space making the viewer feel the unique atmosphere, situationand the scene. In this paper, taking “Duizuo Exhibition” (sitting in front of the exhibits and contemplating ideas the art works show) as an example, the author discusses space design techniques of ink painting exhibition. 关键词：水墨画；展览空间；策展人；场域；意境；叙事；对坐展览 Key words: Ink painting; Exhibition space; Designer; Space; Artistic Conception; Narration; DuizuoExhibition DOI编码：10.3969/J.ISSN.1674-4187.2017.01.011 经过近些年来的东西方文化碰撞，多 策展人的意图。在这个过程 中，要展现独 而应该用跨学科的眼光，既了解到艺术家 元化形式越发明显；艺术展览 1 的形式也从 特的展