_古今和歌集_与唐诗中_月_的意象之比较.pdfVIP

2003 年第 1 期 外 国 语 总第143 期 No.1, January 2003 Journal of Foreign Languages General Serial No.143 文章编号：1004- 5139 （2003 ）01 - 00 75 -0 5 中图分类号：I0 -03 文献标识码：A 《古今和歌集》与唐诗中“月”的意象之比较 曾峻梅 （上海外国语大学对外交流合作处，上海200083） 摘 要：《古今集》中的咏月歌几乎都是叙景歌、恋歌，只有一首“羁旅歌”，即阿倍仲麻吕的“汉土见 月”，也是唯一一首将“望月”与“望乡”联系在一起的作品。“三笠山明月”与日本文学中固有的月的 意象不同，更接近李白望乡诗中的意象。传统的叙景歌以及恋歌中“待月”的意象，仍然保留了上代文 学的特征，同时接纳了汉魏六朝诗中月的意象：包括清冷、寂寥的表层意象和悲愁、哀怨的深层意象。 与《古今集》时代相近的唐诗，诗人们在汉魏六朝诗中月的意象中，融入了广阔的社会生活体验，创造 出了更为丰富多彩的表层和深层意象。 关键词：月；意象；《古今集》；唐诗；阿倍仲麻吕 A Comparison of Moon Images in Kokinshu and in Tang-Dynasty Poems ZENG Jun-mei (Faculty for International Exchange and Cooperation, Shanghai International Studies University, Shanghai 200083, China) Abstract: Almost all odes to the moon in Kokinshu are either scenic depictions or love descriptions except one travelling poem named “Viewing the Moon in China” by Abeno Nakamaro, which associates moon-viewing with home-sickness. We can easily find that the image of the moon shown in “Bright Moon over Mount Mikasa” is different from the traditional image in Japanese literature, but quite similar to that in Li Bais nostalgic poems. While maintaining Japans literature characteristics of the previous dynasties, the image of “waiting for the moon” absorbs the features of the moon image in the poems of Han and Wei dynasties and the following dynasties with a surface image of cool and quietness and a deep image of sorrow and sadness. On the other hand, as a contemporary of Kokinshu, the poetry of Tang Dynasty integrates the abundant experiences of social activities in setting up the image of the moon