中国内地户外音乐节的现状、问题与对策--以迷笛、草莓音乐节为例.docxVIP

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中国内地户外音乐节的现状、问题与对策--以迷笛、草莓音乐节为例.docx

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目录 1?绪论?······························································································?1 1.1?研究背景?·················································································?1 1.2?研究现状?·················································································?2 1.2.1?国内研究现状····································································?2 1.2.2?国外研究现状····································································?3 1.3?名词释义?·················································································?4 1.4?研究目的与方法?········································································?4 1.4.1?研究目的?·········································································?4 1.4.2?研究方法?·········································································?5 2?我国内地户外音乐节的基本概况···························································?6 2.1?内地户外音乐节的主要特点?·························································?6 2.1.1?内地户外音乐节举办时间、场地············································?7 2.1.2?内地户外音乐节举办主题·····················································?7 2.1.3?2017年两大户外音乐节舞台设置············································?8 2.1.4?内地户外音乐节音乐风格、类型············································?9 2.2?内地户外音乐节的产生与现状?····················································?10 3?我国内地户外音乐节的存在问题·························································?13 3.1?内地户外音乐节中音乐作品的特点?··············································?13 3.1.1?音乐内容与形式的同质化?·················································?13 3.1.2?与主流文化的背离····························································?15 3.1.3?社会价值的偏失·······························································?15 3.2?内地户外音乐节的观众效应?·······················································?16 3.2.1?受众音乐审美情趣的变化···················································?16 3.2.2?青年亚文化·····································································?17 3.2.3?情绪的煽动·······························································