歌剧《野火春风斗古城》中杨母的角色分析及演唱理解-艺术学专业论文.docxVIP

I I 中 文 摘 要 《野火春风斗古城》是根据同名小说改编，反映抗战题材的一部歌剧作品。作曲家 王祖皆、张卓娅夫妇，采用民族音乐素材，融合流行音乐元素，创作了歌剧音乐。全剧 采用民族唱法、美声唱法、通俗唱法等多种声乐演唱形式。 本文重点分析了“杨母”的音乐形象、角色特点。“杨母”是歌剧成功塑造的典型形 象之一，这一形象通过曲作者的精心构思；民族唱法女高音音色的演绎；表演者黄华丽 的成熟演技，得以完美体现。第五场的《思儿》、第十二场的《娘在那片云彩里》以咏 叹调的形式，将“杨母”的命运、性格、人物状态表现的淋漓尽致。 其中《思儿》为复三部曲式，旋律优美，色彩明亮，时而激动，时而平稳，成功的 描写了杨母对儿子思念、渴望杀敌的矛盾心态，也反映了当时社会背景下人物的真实心 态。《娘在那片云彩里》可分为四个部分，C 徵调式，整体风格明快刚劲，旋律流畅舒展， 音域宽广跳跃，极富戏剧性与抒情性，描写了“杨母”为了革命跳楼自杀，用自己的牺 牲坚定了，儿子的革命意志。这两段唱腔，树立了一个慈祥宽厚、乐观自信、宁死不屈 的革命母亲形象。 关键字：歌剧 野火春风斗古城 杨母 形象 演唱理解 II II Abstract Spring wildfire fighting city is based on the novel of the same name, reflect the themes of the opera works. The composer Wang Zujie, Zhang Zhuoya couples, the folk music material, fusing pop music elements, the creation of opera music. It adopts national singing, bel canto pop singing, and other forms of vocal music. This paper focuses on the analysis of Yang mother music image, the characteristics of the role of. Yang mother is one of the opera success in shaping the image, the image through the elaborate song writer; national singing soprano tone deduction; the performer Huang Huali mature skills, can be the perfect embodiment. The fifth field, Twelfth field Si Er mother in that clouds Arias form, Yang mother fate, character, character state performance of the most incisive. The Si Er for the complex three form, melody is exquisite, bright color, sometimes excited, sometimes smooth, successful description of the young mother to son missing, conflicting desires mentality enemy, also reflects the real attitude of social background characters at that time. Niang can be divided into four parts in the cloud, C mode, the overall style and lively bold, smooth melody stretch, the broad range of jumping, dramatic and lyrical, describes the Yang mother for the revolutionary jump off building Dutch act, with his own sacrifice firm, son of the revolution will. The two section aria, set a kind, optimistic self-confidence, die rather than submit revolution mother image. Key wo