爱可以跨越肤色从我爱单眼皮和恋恋茉莉香论析雅丝敏电影中.PDFVIP

愛可以跨越膚色？ 從《我愛單眼皮》和《戀戀茉莉香》 論析雅絲敏電影中的異族戀 中文摘要 “它和你亲近得像你的生命一样 ， 但是你永远不能完全了解它 。” ——泰戈爾 馬來西亞已故知名女導演雅絲敏·阿莫的電影 《我愛單眼皮》片末引用印度詩 人泰戈爾的詩句，貼切地形容了馬來西亞多元族群間具體上相近但實際上無法跨越 族群界線的情形。 雅絲敏的電影，總是帶出大馬族群、宗教、階級、特權等敏感課題，儘管被 視為促進族群團結與和諧的代表人物 ，但其作品卻也常在國內引發爭議與批評 。 雅絲敏透過電影所傳達的訊息值得我們去深思與探討。因此，本文將對雅絲 敏的電影進行初探，試圖分析雅絲敏在 《我愛單眼皮》和《戀戀茉莉香》兩部電影 中對於異族戀的詮釋與建構，進而探究電影中的異族戀是否反映出現實狀況，另將 檢視異族戀所受阻力，並試圖釐清愛與包容能否跨越膚色、宗教、文化、語言等界 線。 關鍵字：《我愛單眼皮》、《戀戀茉莉香》、馬來西亞女導演、異族戀、族群界 線、雅絲敏·阿莫 i Love Can Conquer Skin Color? A Study on Interracial Relationship through Yasmin Ahmad’s Film Abstract “It is near to you as your life, But you can never wholly know it. ” ——Ranbindranath Tagore The verse by Rabindranath Tagore has been appeared in Malaysia’s late film and advertisement director, Yasmin Ahmad 2004’s film, Sepet. Perhaps the verse has well described the psychological border among multi-racial in Malaysia. Yasmin used to bring out sensitive issues, such as ethnic, religion, social status, Malay’s priority through her films. Some have criticized Yasmin’s film as desecrate religion and threaten the local culture; however there are also people who claim Yasmin as the real symbol of unity. It is important to think and understand the messages Yasmin trying to convey through her films. Therefore, this research will first study on how Yasmin interpret interracial relationship in both her films, Sepet and Talentime. Next, it will also examine how does the interracial relationship represent real