我国的翻译美学分析.docVIP

　　我国的翻译美学分析----英语毕业论文 --Chapter One Literature Revieore and morepopular in the field of translation theory and it gets more attention among translatorsand scholars. The traditional translation theory in China actually es fromaesthetics and later they bined together, but the bination of tonograph abouttranslation aesthetics symbolizing the depth of translation aesthetics study. Thismonograph mainly expounds aesthetic subject (AS), aesthetic object (AO), aestheticactivities and the criterion of translation aesthetics. Aesthetic reappearance plays aninstructive role in researching the object of translation aesthetics and its relevantscope and translation aesthetics is also the intellectual resource for establishingChinese translation aesthetics theory.The frame of translation aesthetics theory is shaped gradually on basis of Liu‘sFan Yi Mei Xue Dao Lun (1995) ata and general regulations of aestheticreproduction. pared to Fu‘s, Liu‘s discussion is more detailed and explicit, eans the effective development of the bination of aesthetics and translation.Ge(1999) discusses ―likeness‖(神似论) and its philosophical basis of aesthetics.Besides the researches on bination of translation and aesthetics mainly focus onthe analysis of literature translation aesthetic theory and supply some specificexamples to explain aesthetic reappearance skills applied in sound, sentences,paragraphs and texts. Ge points that the bination of translation and aesthetics haschanged from abstract to specific examples, e examples from classic theperspective of aesthetics, the literary translation is studied and discussed in differentcultures and regions in a parison icroscopically and macroscopically. In2005 Liu‘s Fan Yi Mei Xue Dao Lun is revised again and republished by ChinaTranslation Publishing Corporation. His revision develops and promotes thetranslation aesthetics theory pared four aspects: thesense of language and the sense of aesthetics including the the angle of obscurity of English and Chi