中央音乐学院七级钢琴曲目（Central Conservatory of Music piano program seven）.docVIP

下载本文档

15
0
约9.31千字
约 7页
2017-07-24 发布于河南
举报
版权申诉

中央音乐学院七级钢琴曲目（Central Conservatory of Music piano program seven）.doc

1、有哪些信誉好的足球投注网站（book118）网站文档一经付费（服务费），不意味着购买了该文档的版权，仅供个人/单位学习、研究之用，不得用于商业用途，未经授权，严禁复制、发行、汇编、翻译或者网络传播等，侵权必究。。
2、本站所有内容均由合作方或网友上传，本站不对文档的完整性、权威性及其观点立场正确性做任何保证或承诺！文档内容仅供研究参考，付费前请自行鉴别。如您付费，意味着您自己接受本站规则且自行承担风险，本站不退款、不进行额外附加服务；查看《如何避免下载的几个坑》。如果您已付费下载过本站文档，您可以点击这里二次下载。
3、如文档侵犯商业秘密、侵犯著作权、侵犯人身权等，请点击“版权申诉”（推荐），也可以打举报电话：400-050-0827(电话支持时间：9:00-18:30)。
4、该文档为VIP文档，如果想要下载，成为VIP会员后，下载免费。
5、成为VIP后，下载本文档将扣除1次下载权益。下载后，不支持退款、换文档。如有疑问请联系我们。
6、成为VIP后，您将拥有八大权益，权益包括：VIP文档下载权益、阅读免打扰、文档格式转换、高级专利检索、专属身份标志、高级客服、多端互通、版权登记。
7、VIP文档为合作方或网友上传，每下载1次，网站将根据用户上传文档的质量评分、类型等，对文档贡献者给予高额补贴、流量扶持。如果你也想贡献VIP文档。上传文档

中央音乐学院七级钢琴曲目（Central Conservatory of Music piano program seven）

中央音乐学院七级钢琴曲目（Central Conservatory of Music piano program seven） In the middle section (second lines, third bars), the root tone, the long melodic line of the voice and the melodic line of the loud voice make the contrast of the tonality. The left hand root, the voice, the melody, must play beautifully, beautifully. Piano, class seven, group B (1) etude, Cramer Cramer is the representative of the English school in the classical period. This music is elegant and gorgeous, each voice to play fluent. Feel the long lines that are very smooth. There is no very strong contrast on the volume and try to keep the sounds gorgeous, fluid and continuous. Speed should be stable, there can be no freedom. The connection between the two hands is fluent and sounds like a flowing melody. Piano class seven, group B (2) Sonata Scarlatti: This is a very glorious and splendid rococo ornamentation in Italy works, gorgeous and elastic. Melodic lines are not long, often elastic, with short melodies running through them. Touch the key should pay attention to the finger tip grasp, flexibility, make the whole song more dynamic. To stabilize the rhythm, to sharp staccato (sound) to use finger bombs, arms do not skip. Shoulders and arms should be relaxed, strength should be young, and keep the tone clear, clean and elastic. In addition, we should emphasize the melody interspersed with them. The left hand (line third) fixed bass figures and above melody form small contrast. Note that from the sixty-one bar to the sixty-six section, the left hand follow the voice part and the right hand melody form polyphony, only the flexibility of the left hand melody can appear more levels. In addition the root place (seventy-three to ninety bars) can pedal, this is the sound of the pedal, rather than the melody to a foot pedal, immediately let go, cant step on a very long time, if a long time will put the pedal, fill the rest. Stop the rest. Piano class seven, group B (3) variations Beethoven: this exercise is