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论《笔生花》论文
flow er pen , th e creativ e m otivation . Intended to turn the updated tune, also m entioned in th e first back to the destination text :engraved E ternal H app iness one, w as good to com p ete pass. W enqing gracefu l original non-vu lgar, H anzao M erry is considerab le assessm ent over the tan ci pu sh th e crow n on ly too to purposive n egative m icro-trespass. (P I flow er p en on Q iu h eart such as th e C entral P lain s A n cient B ook s Pub lish ing H ou se H en an P rov ince in A ugu st 1984). T o exp and from social b ackground, talented atm osph ere, entertainm ent fun ction s, and recip ient of several asp ects d iscu ssed th e reason s for w om en w riters of T anci flourish ed . S ection III, to discu ss th e B i Sh eng H uaas an im itation, is lingering for E ternal H app in ess ? From the Sequels, fake book, and criticized th e accepted th eory aspects on flow er p en for the inheritance of the R ecycled and breakthrough s. T he second chapter discu sses th eB i Sheng H u a th e characters, m any ch aracters in th e w orks, and their h ave ow n characteristics. In th e first section, I analyze th e heroin e Jian g D ehu a in th e w ork s th at sh e is ideal ch aracters in Q iu x in ru hearts. H er dresser, m ak e contribu tion s to th e dom in eering, bu t also b oth trad ition al w om en , F o llow trad ition and filial p iety. T hrou gh th e tw o sides o f h is ch aracter for th e reader to rev eal the con trad iction s of th e au thor thou gh t. S ection II, th e au thor focu ses on the th e oth er characters in th eb ish enghu a su ch as Jiu hua J iuhua, M urong chun ,W o H ang gu i to exp lore th e hom e w orld of w om en s statu s and its com p lex relation sh ip b etw een th e w iv e s . T h e th ird ch ap ter from th e aesth etic p o int of v iew of ancient C h in ese nov el, analysis of th e delicate art of calligraph y. M ain ly from
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