论现当代小说的长子形象——以觉新、瑞宣、蔚祖为例.docVIP

论现当代小说的长子形象——以觉新、瑞宣、蔚祖为例 On the Images of Elder Sons in the Modern and Contemporary Novels--Take Juexin and Ruixuan and Weizu as examples 大连理工大学毕业论文（设计）格式规范 论现当代小说的长子形象——以觉新、瑞宣、蔚祖为例 - PAGE II - - - PAGE I - 摘 要 在中国现当代文学史里，家族小说一直是热门题材，随着文学革命后，外国文学的涌入，像法国作家左拉的《卢贡——卡家马卡家族的命运》，这种以长篇形式写一个家族的衰变过程，揭示人性的堕落的家族小说，对中国现代作家的创作产生了深远的影响。由此，中国现代文学史中涌现了许多以揭露旧家庭旧礼教罪恶为主题的创作，例如巴金的《激流三部曲》，路翎的《财主底儿女们》，老舍的《四世同堂》等。在这些家族小说中，有一类人，衣食无忧却常常陷入自我困境，虽然身为大家族的长子，却无法掌握自己的命运，成为“多余的人”，具有悲剧的命运。这一类人构成了现代家族小说的“长子形象”系列。 本文分为四个部分： 第一部分重点探讨现代家族小说中“长子形象”的意义，分别从对封建宗法制，旧礼教批判，和对民族“作揖主义”性格的批判两方面来研究。 第二部分重点探讨“长子形象”的悲剧性，将分别从悲剧的必然性，特点，悲剧对家族趋势走向的作用三方面来研究。 第三部分从两方面来重点探讨长子性格的特点及成因。 第四部分以《白鹿原》中“白孝文”和《平凡的世界》中“孙少安”为例，分析现代家族小说中“长子形象”的创作对90年代当代小说作品中“长子形象”塑造的影响。 关键词：长子形象；现代家族小说；悲剧意义 - - PAGE II - On the Images of Elder Sons in the Modern and Contemporary Novels--Take Juexin and Ruixuan and Weizu as examples Abstract In the history of modern and contemporary Chinese literature, family fiction has always been a hot topic. With the influx of foreign literature after the literary revolution, the French writer Zolas Lugong-the Fate of the Kajiamaka Family wrote a familys decline process in a long form, revealing the degeneration of human nature of family fiction, which had an impact on the creation of modern Chinese writers. Thus, in the history of modern Chinese literature, many works have emerged to expose the old family etiquette, such as Ba Jins Torrential Trilogy, Lu Lings Children of the Wealthy, Lao Shes Four Generations Together and so on. Among these family novels, there are a group of people who have no worries about food and clothing but often fall into self-predicament. Although they are the eldest son of a large family, they are unable to control their own destiny and succeed. For superfluous people, this kind of people constitute the eldest son image series of modern family novels. This paper is divided into four parts: The first part focuses on the significance of the image of the eldest son in modern fam