书法文化(中英文)知识讲稿.pptVIP

米芾，春山瑞松图 虚灵飘荡之气 书法与儒家哲学 毛笔的特性：柔软——书法家在书写中能创造出无穷的变化。但又有刚健的力量，即其弹性。 该特性契合了儒家文化。“儒”字从文字学的观点来看，是“柔”也，是人之所需。（从需字旁的字，都有“柔软”之意。孺子，若米，懦弱，蠕动。。。。）孔子：仁爱 孟子补充“义”的力量，学术性，人性应该遵循的道理。 “发乎情，止乎礼”（笔尖的触动即情，笔法的规范制约即礼。） 颜真卿，颜氏家庙碑 浑穆博大，雍容开阔的楷书，是法度的典范，也是感情的充实。 儒家的励精图治，今宵金钟，恪尽职守的崇高的责任感。艺术以典正为要，及思想性第一，艺术性第二。内容，经世致用，官场文书 书法与儒家哲学 心正则笔正，人品即书品 儒家文化：伦理文化。 书法的美归结为书法家人格的美。 柳公权：“心正则笔正。” 正面例子：颜真卿，柳公权 反对者认为：秦桧，王铎，人品颓丧，但书艺高超。 道家：艺术史自我性灵抒发的手段，是在现实世界实现精神逍遥的途径。 书法·文化·翻译 吴卉 2010. 11. 21 History of Calligraphy Pre-Qin Calligraphy: Obscure, Mysterious and Unique Shang dynasty oracle-bone inscriptions (Anyang, Henan. Hidden Turtle in the Iron Cloud) Pictograph Pre-Qin Calligraphy: Obscure, Mysterious and Unique Bronze inscriptions phonograms Pre-Qin Calligraphy: Obscure, Mysterious and Unique Spring and Autumn period: Stone drum inscription Kang Youwei: “the origin of calligraphic rules” 书法第一法则 Set up the criterion for large script which is the precursor of small seal script Calligraphy of the Qin and Han Dynasties: Standard and Elegant Li Si: abolished different forms and made small seal script official script for the whole nation. Round stroke; same thickness; tenacity Calligraphy of the Qin and Han Dynasties: Standard and Elegant Calligraphy on bamboo or wood slips and silk: also known as ancient clerical script, which is a transitional form between ancient script and modern script. Calligraphy of the Qin and Han Dynasties: Standard and Elegant Qin Dynasty: Cheng Miao “clerical script” Han Dynasty Transformation of clerical script Calligraphy in the Wei, Jin and Southern Northern Dynasties Wei kingdom period: Zhong Yao, originator of regular script 楷书之祖 Eastern Jin, Newness and grace （新妍）replaced simplicity and clumsiness. Wang Xizhi: regular script and running script (Preface to the Literary Gathering at the Orchid Pavilion) Wang Xianzhi: cursive script Calligraphy in the Wei, Jin and Southern Northern Dynasties Stele inscription of the Northern