民间美术的表现形式（Forms of folk art）.docVIP

民间美术的表现形式（Forms of folk art） The manifestation of folk art Folk art is relative to palace art, literati art and other forms of art, and has a primary, directly from the peoples art form. For thousands of years to form the strong artistic hierarchy, the folk art is regarded as something vulgar crude to the concept of folk art activity is compromised, many outstanding national art achievements can not survive, especially after the industrial revolution, folk art is regarded as backward and abandoned handicraft industry. As a part of folk art China folk culture, its artistic value is far beyond the folk art itself, is rich in philosophy, aesthetics, archaeology, history, sociology and human culture connotation, is the crystallization of Chinese culture and agglutination. First, the origin of folk art The folk art and the primitive society of art is a heritage, they in the occurrence and development of art and the scope, characteristics, law and so on, all have a certain similarity. Folk art, like primitive art, has the nature of artistic, practical and aesthetic coexistence. Many folk art still have traces of primitive art. In todays folk paper-cut and embroidery, there are many totem symbols of witchcraft on primitive pottery. Labor and life practice of folk art originated from the ancient ancestors of the primitive man in the manufacturing process of working tools, found sharp, symmetrical, smooth tool with special convenience, the pursuit of practical gradually evolved into visual pleasure, the ancient ancestors on the basis of practical creation activities gradually the aesthetic, which can meet the practical material needs, and to meet the spiritual needs of the aesthetic. For example, the Neolithic ancient humans invented drilling technology, they used shells and animal bones making the necklace is the decoration of his own, the best tool to attract the opposite sex, say the remains of the Yangshao culture with various patterns of painted pottery not only has the