1930年代的夏皮罗和马克思主义.pdfVIP

Meyer Schapiro and Marxism in the 1930s Author(s): Andrew Hemingway Source: Oxford Art Journal, Vol. 17, No. 1, Meyer Schapiro (1994), pp. 13-29 Published by: Oxford University Press Stable URL: /stable/1360472 . Accessed: 11/05/2013 04:29 Your use of the JSTOR archive indicates your acceptance of the Terms Conditions of Use, available at . /page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@. . Oxford University Press is collaborating with JSTOR to digitize, preserve and extend access to Oxford Art Journal. This content downloaded from 15 on Sat, 11 May 2013 04:29:19 AM All use subject to JSTOR Terms and Conditions Meyer Schapiro and Marxism in the 1930s ANDREW HEMINGWAY Through seven decades of this century the USSR place, where socialism was actually being built from stood as the embodiment of communism and thus the ground up by heroic men and women under as the main alternative to capitalism. However, extraordinarily adverse circumstances. It was the while it offered a model which was widely imitated object of a romantic obsessive love affair,which they in the developing countries and inspired the forma- fuelled with a diet of Russian films, novels, and tion of Leninist-type political parties throughout the music, and sustained within a closed and disciplined world, for the intellectuals of the western democra- subculture. The disillusionment they experienced in cies the Soviet system has long ceased to have much the soiling of this love object was profound. As attraction. While the communist ideal conti