Device Art A New Form of Media Art from a Japanese Perspective.pdfVIP

Device Art A New Form of Media Art from a Japanese Perspective.pdf

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Device Art A New Form of Media Art from a Japanese Perspective

intelligent agent 06.02 Device Art: A New Form of Media Art from a Japanese Perspective Machiko Kusahara Device Art is a concept for re-examining art-science- technology relationships both from a contemporary and historical perspective in order to foreground a new aspect of media art. The term Device Art may sound obscure, or even self-contradictory, but it is a conscious choice. The concept is a logical extension of a change in the notion of art that already started in the early 20th century with art movements such as Dada and Surrealism. More recently, interactive art has redefined forms of art and the role of artists. What we call device art is a form of media art that integrates art and technol- ogy as well as design, entertainment, and popular cul- ture. Instead of regarding technology as a mere tool serving the art, as it is commonly seen, we propose a model in which technology is at the core of artworks. As I will discuss later, the concept took shape on the basis of an analysis of works by contemporary Japanese media artists. Features surfacing in many of these proj- ects include interaction, a positive attitude towards tech- nology, and playfulness. The influence of Japanese cul- tural tradition can be clearly traced in these haracteris- tics. Another aspect of this work is the artists involve- ment in fields such as design, entertainment, and com- mercial production, which becomes evident in the approach of internationally recognized artists such as Toshio Iwai, Nobumichi Tosa (Maywa Denki), and Kazuhiko Hachiya. This approach, which is often consid- ered suspect from a Western point of view, is actually a natural part of Japanese art. A long history of visual cul- ture that developed independently from Western para- digms of art plays an important role in the Japanese art scene, offering artists wider possibilities for bringing their concepts outside of the context of museums and galleries. While theoretical analysis is an important part of the Device Art

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