2015年荐Animals.docVIP

Animals Animal Roles Equine Actors: Evolving with the Changing Western Melissa Birks, Northern Illinois University melissaannbirks@ Animals and Isolation in The Thing and Phantoms Rachel Marsom, Northern Arizona University Rim234@ Scipio Africanus: The 1937 Italian Film That Forever Changed the Protrayal of Elephants On-Screen Kirby Pringle, Loyola University retroactivity@ Bioethics Cloning, Race and Fertility: Frames of Reproduction Conceiving the Infertile Patient in TV Medical Dramas Seline Szkupinski Quiroga Genotypical, Phenotypical, and Just Plain Typical Discrimination in Gattaca: Can Any Type Be Justified? Noah Levin, Bowling Green State University nlevin@ ‘I, Clone,’ –How Cloning is (Mis)Portrayed in Contemporary Cinema Jason T. Eberl Science Fiction in British Film and Television Politics and Representation Army of Ghosts: Sight, Knowledge, and the Invisible Aggressor in Dr Who Matthew Jones, University of Manchester (UK) Matthew.W.Jones@student.manchester.ac.uk Michael Radford’s 1984 (1984): A Visual Homage to Orwell’s Earlier Social Commentaries Ron Smith, Thompson Rivers University (Canada) Rsmith@tru.ca Post-Apocalyptic Depictions of the Black Woman in the British Science Fiction Films Children of Men and 28 Days Later Sarah Arnold, National University of Ireland (Ireland) Sarnold11@ Cinematic Extraterrestrials Encountering Aliens, Encountering Humanity The Extraterrestrial is the Message: The Man Who Fell to Earth to Discover Humanity Milan Pribisic, Loyola University, Chicago mpribis@ Protocol Droids, Wookie-Gab, and Reciprocal Passive Bilingualism: Representations of Language in Science Fiction Films Harold F. Schiffman, University of Pennsylvania haroldfs@ Spiritual Surrogacy: Cinematic Extraterrestrials and Human Spirituality James Webb zerzura@ Code-Breaking-Low and High Tech Whodunnits Code-breaking In the Interests of National Security: Citizen and State in Three Days of the Condor Oliver Griffin, St. John