试论录像艺术的发展类型与风格.pdfVIP

藝術評論第十七期 頁81－112 （民國九十五年），台北：國立臺北藝術大學 81 ARTS REVIEW, NO. 17, pp.81–112 (2006) Taipei National University of the Arts ISSN: 1015-6240 試論錄像藝術的發展類型 與風格 陳永賢 國立臺灣藝術大學多媒體動畫藝術系所助理教授 摘要 錄像藝術的發展是生活與科技的一體兩面，早期創作從跨越電視媒材到實驗性質的嘗 試，不斷開發出與身體、觀念、紀錄、電影、電腦、互動、裝置等相互結合的概念，讓它從 多元藝術流派中冒出新芽而茁壯；並在科技不斷創新、人文觀念不斷革新的環境中，使它在 藝術史的座標中逐漸佔據重要地位。因此，本文從藝術史發展歷程中擷取關鍵影響的作品， 並以風格分析之方式，進行作品類型與表現形式的論述，研究結果從錄像藝術的歷史與背景 作為經緯軸線，依據藝術家創作實踐、作品內容區分不同類型，包括：電視傳媒的擴充與影 響、實況紀錄與紀實錄像、錄像中的身體行為、觀文本精神與觀念錄像、反饋錄像與技術實 驗、電影與錄像的影像轉化、結合多媒體的視覺效果、物件投影與錄像裝置等風格議題逐項 分析，藉此申論錄像藝術與時俱變的面貌以及所展現的風格差異。 關鍵詞：錄像藝術、錄像裝置、新媒體藝術、當代藝術 112 陳永賢 A Study on the Developing Genres and Creative Styles of Video Art Yung-Hsien Chen Assistant Professor, Department Graduate School of Multimedia and Animation Arts, National Taiwan University of Arts Abstract The development of video art is in conjunction with life and technology. The creative process in the early stage crosses from television media to experimental try-outs. It is a continuous process of exploitations that combines concepts such as the body, ideology, documentation, television, computer, interaction, and installation. The development allows for new concepts to grow and thrive from diverse art genres. Through the continuous innovation of technology and the revolution of humanity and cultural concepts, video art gradually begins to take a more important stance in art history. Therefore, this essay will use different research and study methods such as the formalistic, iconology, art history, structural analysis, and the usage of the background and history of video art as the central axis. Categorization of different styles is done through artists’ creative practices and work contents, and this will include the involvement or the fight against t