个性化造型图式在中国山水画中的应用之我见-美术专业论文.docxVIP

目 录 中文摘要········································································································ Ⅰ Abstract········································································································· Ⅱ 引言·················································································································· 1 一 中国传统山水画造型图式的艺术特色·········································· 2 1. 八大山人幻化抽象造型的树······························································ 2 2. 渐江几何图式的山石造型·································································· 4 二 中国现当代山水画造型图式的艺术特色····································· 5 1. 狂舞笔墨，倾诉心语的傅抱石·························································· 6 2. 卢禹舜笔下“平行线”所体现的“齐之又齐”的造型图式········· 7 三 结合自己的创作浅谈我对传统和现代优秀造型图式的吸收 借鉴··········································································································· 8 1. 依古出新下平淡天真的树·································································· 9 2. 传统和现代连接点上的山石造型···················································· 11 3. 传统与现代冲撞下的当代山水画···················································· 13 4. 突破传统山水画束缚的山水画创作················································ 13 结语·················································································································16 注释·················································································································17 参考文献········································································································ 18 致谢·················································································································19 攻读硕士学位期间科研成果····································································· 20 攻读硕士学位期间部分美术作品···························································· 21 山东师范大学硕士学位论文 山东师范大学硕士学位论文 中文摘要 传统山水画历经时代变迁日趋成熟与完备，刘、李、马、夏之一变，荆、 关、董、巨又一变，以至元四家的新格局，使得南北审美异曲同工，而且山 水画的造型形式有了完备的形态。当代山水画家由于过于依赖古人固定的造 型图式，使得当代山水画有雷同化取向。当下山水画家面对现代山