可视化的未来(Visualizing the Future).doc

可视化的未来(Visualizing the Future) 　　traditinall, hinese plitial ulture has used the arts t prpagate ideals f rret behavir and thught this pratie did nt stp ith the establishent f the peple’s republi f hina in 1949 n the ntrar, prpaganda art ntinued t be seen as ne f the ar eans t explain and illustrate the ‘rret’ pliies f the ent and the unist part’s visins f the future thus, it reinfred the essages passed n b ther edia suh as nespapers, fil and radi bradasting 　　thrugh its plete ntrl f bth the artists and the publishing setr, the p as able t fre its interpretatin f realit and aesthetis n the ppulatin as ppsed t ther iages that ere used traditinall t derate the he ith, prpaganda ae t dinate siet and penetrated the lest levels f sial rganizatin and habitatin: the ulti-lred psters uld be seen hanging n alls in peple’s huses and dritries in a siet here nt uh else as available, their psitin and visual ntent appealed t the spetatrs, hile their plitial essage as passed n in an alst subnsius annerhinese prpaganda art ade extensive use f sialist realis, nt nl t sh ‘life as it reall is,’ but als ‘life as it ught t be,’ t instrut the vieers in the revlutinar develpent taing plae ‘in the spirit f sialis’ this ade hinese prpaganda art a tpe f artisti fatin, a ixture f fat and fitin, stressing the psitive and papering ver anthing negative 　　partiularl in the 190s and 1960s, in the era f ass veents suh as the great leap frard and the ultural revlutin, the psters ere dinated b hper-realisti, larger-than-life peasants, sldiers and rers in dnai and ften aggressive pses, prlaiing the universal appliabilit f a zedng thught, rting ut traitrs and spies, struggling fr the vitr f sialis, ahieving suesses in industr and agriulture, r defending the natinin rder t prtra ever subet as a her, the phsial distintin beteen ale and feale bdies ften disappeared, leading t figures ith standard bdies, inluding absurdl big hands and feet, ith slightl different, but usuall steretped heads 　　the deline in