如何看待冲突（How to treat the conflict）.docVIP

如何看待冲突（How to treat the conflict） How do you view conflict? There is an obvious feature of Chinese movies: characters always like to quarrel and make a big noise. Especially the modern life of the film, such scenes are everywhere. The audiences distaste for the play, but our filmmakers to write those but I am still my old self. fight. I asked a friend who had shown me this kind of script. Why did you deal with the plot like this? He replied, there is no conflict. Where is the plot? Indeed, there is a known to all words in the theatre: there is no drama without conflicts. This sentence has become almost sacred drama law, who dare not go beyond it. Staged in the theater on the stage of life story, usually is the fate of ups and downs, at the moment to fight at outrance. This is an indisputable fact that a little drama common sense. In fact, it is commonly believed that such a law applies to all story films. In the theory of film play, people regard conflict law as the principle and basis of the structure of play. Few people doubt the supreme status of drama conflict in the plot and structure of the screenplay. However, if we ask today, in the film yellow earth , who is it in conflict with? Then, in the Soviet film, the station for two people, the Japanese film talking about love and dancing, the American movie driving for Miss Daisy and the woman of lace by the French film...... And so on in the worlds many movies, and who is in conflict with it? Baoding conflict theory is certainly difficult to answer this question. Because no one can be yellow earth attributed to the Eight Route soldiers and the peasant conflict. Perhaps in the two people the beginning part of the hero and heroine clashed in the traditional sense, but then the script characters are not conflict law provisions will be the intensification of the conflicts and the climax, which is precisely the opposite: the gradual resolution of the conflict, the main character of moving people and love. In short, the