论民族之于民族音乐学学科存在的意义（On the significance of nation in the subject of Ethnomusicology）.docVIP

论民族之于民族音乐学学科存在的意义（On the significance of nation in the subject of Ethnomusicology） Abstract: an important premise of the existence and establishment of ethnomusicology is the fact that music is a national, and the formation of the discipline system is based on the modern cognitive device such as the nation. The study of Ethnomusicology in China has always been in the context of modernity in a nation - state. Comparative musicology, folk music research, folk music theory and music anthropology are closely related to the evolution of national consciousness. Key words: ethnomusicology; music; nationality Chinese Classification Number: J60-05, document identification code: A, article number: 1002-6959 (2010) 01-0144-05 Whether in the West or in China, the history of ethnomusicology is relatively short. The subject of ethnomusicology was first proposed by Gio Bo Kinstle, a Holland music expert and founder of modern Ethnomusicology in 1950. In China, as Ethno-musicology Ethomusicology, probably at the end of the 1970s study by the Shanghai Conservatory Of Music music by Liao Naixiong, Luo Chuankai et al first in the hospital internal data, mimeographed newspaper introduction of translation into China. In 1980, the first National Symposium on ethnomusicology was held at Nanjing Arts Institute and began to promote the subject throughout the country. Since 80s, there has been a lot of controversy around the academic circle of ethnomusicology. One of the most important issues in these debates is the historical narrative of ethnomusicology. The purpose of the historical narration of ethnomusicology is, on the one hand, to try to find the historical origin for Ethnomusicology; on the other hand, to establish a historical relationship between the methodology, the theory and the Ethnomusicology of the former music studies. Generally speaking, the ethnomusicology in China history is divided into four periods: first, comparative musicology period, probably from Wang Guangqi complet