音乐学论文4(改1.doc1.docVIP

湖北文理学院 毕 业 论 文 （设 计） 论文（设计）题目 钢琴演奏的歌唱性研究 学 院 　 音乐学院 专 业　　 音乐学 学 号　　 学 生　　 赖雅萱 指导教师　　 魏 莉 2012年　5　月　25　日 钢琴演奏的歌唱性研究 专业：音乐 学号： 姓名： 指导教师：音乐旋律的歌唱性是贯穿整个钢琴演奏过程的灵魂,是演奏者感受音乐、表现音乐的一条主线,是来自心灵深处的思想和钢琴演奏的完美结合,它可以使情感如诗歌般倾泻,让演奏者与作者心有灵犀,令听者与之共鸣。Abstract: Music melody singing is throughout the whole play the piano soul, players feel the music, the performance music a masterstroke, is from the inmost thoughts and the piano of the perfect combination, it can make the emotion as poetry as pouring, give the player and author of the heart, so that the listener and resonance. Piano recital of defined historically, any instruments played on vocals singing imitation, the essence of music is singing. When we sing this inner feeling to the piano, and put it through the fingers into a corresponding chords, and rational use of technology and the art means to realize the peoples voice is not up to the complex, diverse singing. The piano like singing the same, need to a piece of music is divided into a number of different lengths, different forms of the sentences chapters, any single note are of no significance and vitality. The so-called piano singing, is instructing each round sustained notes are connected to each other, form a clear tendency phrase form. In other words, when the player to sing the inner senses -- or soft, or lyric, or happiness, or sadness -- playing the piano, the emotion to play action is converted to a piano, we can say that the performance of singing. Singing in the piano music performance in an important position, but also the aesthetic education of students one of best methods, is in the piano performance the main task, can be said to be the master piano this musical instrument the basic task, is undoubtedly the best goal in piano teaching. Keywords: Key words: Piano; singing; method; phrase; aesthetic culture; 目 录 一、对钢琴演奏歌唱性的认识………………………………………………………1 （一）歌唱性的含义…………