汉服传统文化主题教育PPT（完美版）.pptxVIP

汉服中华五千年传统汉服文化简介目录服饰结构历史发展服饰文化地位影响第三篇章第二篇章第一篇章第四篇章壹请输入您的标题Please enter the font and title you think is appropriate in the box历史发展——关于汉服的记载数量繁多元朝时期长衣统称为袍，其样式南北方差异不大，但材料贵贱精粗，却差距悬殊。汉族男性发式变化不多，但北方的汉族女性发式较前简化。唐代服饰承上启下，法服和常服同时并行。法服是传统的礼服，包括冠、冕、衣、裳等；常服又称公服，是一般性正式场合所着服饰。唐元宋代服饰大体上沿袭了隋唐旧制。但由于宋朝长年处于内忧外患交并之中，加上程朱理学等因素的影响，这一时期的服饰崇尚简朴、严谨、含蓄。明朝建立之初曾力图消除元朝蒙古族服制对汉服的影响，“悉命复衣冠如唐制”，但未能完全贯彻执行。至洪武二十六年才开始确定了许多服制。明宋汉服体系展现了华夏文明的等级文化、亲属文化、政治文化、重嫡轻庶、重长轻幼以及儒家的仁义思想。在中国古代的宗法文化背景下，服饰具有昭名分、辨等威、别贵贱的作用，为吉礼、凶礼、宾礼、军礼、嘉礼的礼服。除去国家大事的礼仪，普通汉人的家礼包括冠婚丧祭四礼。 服饰文化贰请输入您的标题Please enter the font and title you think is appropriate in the box请输入您的标题Please enter the font and title you think请输入标题Please enter the font and title you think is appropriate in the box请输入标题Please enter the font and title you think is appropriate in the box请输入标题Please enter the font and title you think is appropriate in the box请输入您的标题Please enter the font and title you think请输入标题请输入标题请输入标题请输入标题请输入标题桃之夭夭，灼灼其华。之子于归，宜其室家。桃之夭夭，有蕡其实。之子于归，宜其家室。桃之夭夭，其叶蓁蓁。之子于归，宜其家人。请输入标题请输入标题请输入标题请输入您的标题Please enter the font and title you think请输入标题桃之夭夭，灼灼其华。之子于归，宜其室家。桃之夭夭，有蕡其实。之子于归，宜其家室。桃之夭夭，其叶蓁蓁。之子于归，宜其家人。Please enter the font and title you think is appropriatePlease enter the font and title you think is appropriate64%34%50%20%Please enter the font and title you think is appropriatePlease enter the font and title you think is appropriate叁请输入您的标题Please enter the font and title you think is appropriate in the box请输入您的标题Please enter the font and title you think桃之夭夭，灼灼其华。之子于归，宜其室家。桃之夭夭，有蕡其实。之子于归，宜其家室。桃之夭夭，其叶蓁蓁。之子于归，宜其家人。桃之夭夭，灼灼其华。之子于归，宜其室家。桃之夭夭，有蕡其实。之子于归，宜其家室。桃之夭夭，其叶蓁蓁。之子于归，宜其家人。请输入标题请输入标题请输入您的标题Please enter the font and title you think桃之夭夭，灼灼其华。之子于归，宜其室家。桃之夭夭，有蕡其实。桃之夭夭，灼灼其华。之子于归，宜其室家。桃之夭夭，有蕡其实输入标题请输入标题桃之夭夭，灼灼其华。之子于归，宜其室家。桃之夭夭，有蕡其实。桃之夭夭，灼灼其华。之子于归，宜其室家。桃之夭夭，有蕡其实。请输入标题请输入标题肆请输入您的标题Please enter the font and title you think is appropriate in the box请输入您的标题Please enter the font and title you think请输入标题请输入标题请输入标题12%50%57%桃之夭夭，灼灼其华。之子于归，宜其室家。桃之夭夭，有蕡其实。桃之夭夭，灼灼其华。之子于归，