壮族歌谣与越南越族歌谣韵律结构之比较.PDFVIP

( ) 26 1 t 2004 1 JOURNAL OF GUANGXI UNIVERSITY FOR NATIONALITIES VOL.26 NO. 1 t JAN.2004 (Philosophy and Social Science Edition) t 韦树关 [] 韦树关( 1965~ ) , 男, 广西河池人, 广西民族学院国际交流学院副教 授, 博士广西南宁, 邮编: 5 0006 [ ] 歌谣的韵律 构是最具民族特色的, 它是鉴别歌谣的民族属性的最为可 靠的尺度之一壮族歌谣的韵律 构与越南越族歌谣的韵律 构有惊人的相似之处, 不 仅像汉族歌谣那样押脚韵, 更为奇特的是押腰脚韵和押腰韵壮族和越族同为古越人的 后裔, 其歌谣有共同的韵律 构, 绝不是偶然的巧合, 而是两 个民族原始共同文化的遗 存 [ ] 壮族; 越族; 歌谣; 韵律 构; 比较 [ ] I276129 [] A [] 1002- 887(2004) 01- 0122- 05 A Comparison of the Rhythmi al Stru tures of Zhuang Ballads in China and Yue Ballads in Vietnam WEI Shu-guan ( Guangx i Univ ers ity f or Nationalities , Nanning 5 0006, China) Abstra t: Endowed with distinct national characteristics, the rhythmical structures 韦 are the most reliable criterion to judge what nationality a ballad belongs to. The rhythms of 树 Zhuang Ballads in China and Yue Ballads in Vietnam share striking similarities in that they 关 not only have end rhymes but also waist rhymes. Both Zhuang Nationality andYue National- ity being the descendants of Guyue, it is not a coincidence for them to have common rhyth- 壮 mical structures but that they have both retained some common primitive cultures. 族 歌 Key Words:Zhuang Nationality; Yue Nationality; ballads;