民间的包公崇拜与包公戏研究-中国古代文学专业毕业论文.docxVIP

摘要包公是一个历史上的著名人物，民间崇拜对于包公形象的塑造一直没有间断。戏剧与 摘要 包公是一个历史上的著名人物，民间崇拜对于包公形象的塑造一直没有间断。戏剧与 民间崇拜有着密切关系，是表现包公崇拜的重要舞台。从元杂剧开始，戏曲舞台上就不断 搬演包公题材故事．包公戏至今依然不断有新的剧本出现．包公被民间的造神运动推上神 坛的同时，戏曲舞台上豹包公也变得神奇起来。 本文在弄清历史上真实的包公的基础上，考察了包公崇拜在民间的发展情况。民间对 包公的崇拜主要表现在三个方向——鬼神崇拜、天神崇拜和神人崇拜。当然这三者之问并 非独立存在而是互相交织着的。鬼神崇拜代表了最原始的民间信仰，表现比较复杂。天神 崇拜是民间崇拜发展的自然结果．但是其流传的广泛性是比不上前者的。神人崇拜是民间 崇拜在包公身上的最终定位。本文在各种包公题材艺术作品中，注重戏曲部分的研究。首 先对包公戏的剧目作了详细的统计。其中包括历代包公戏的剧本及存目，还有现代地方戏 中的包公戏。对于每一个故事都作了剧情介绍，同时对于同一故事在各个时代的继承关系 作了列表分析。根据整理出的包公戏剧目，本文对其中表现出的包公崇拜作了具体的分析。 除了鬼神崇拜、天神崇拜和神人崇拜三个方向以外，还单独论述了包公戏所表现出的民闾 的智慧崇拜。本文最后讨论了包公在戏曲舞台上的特殊形象；黑脸、阴阳脸以及包公与傩 戏面具的关系，它们同样都包含了浓厚的民间崇拜元素。 【关键词】包公民间崇拜鬼神天神神人包公戏 AbstractBao Abstract Bao Zheng is a history of the famous figures，civil worship fOE shaping the image of Bao Zheng has never stopped．Play with civil worship have close relations，and the performance of worship Bao Gong important arena·From Yuan drama．opera On stage to perform constant theme Baogong story Baogong has continued to play a new script there． Baogong folk onto the altar of God-Making Movement at the saIⅡe time． opera on the stage of Bao Zheng has become magic together。 Based on the understanding of the true history of Bao Zheng．on the basis of the inspection Baogong worship in private development． Saogong civil right of worship mainly in three directions···-the gods and worship，worship God and God people worship．Of COUrSe．this is not between the three separate hut intertwined with each other’g． Worship the gods and represents the most primitive folk belief，the performance is quite complex．God worship civil worship the natural result of the development，but the extent of its spread is smaller than the former．God people worship in private worship Bao Zheng was the final position．Baogong this theme in various works of art，the emphasis on opera part of the study．Baogong first game of the season gave detailed statistics．Baogong including Gems drama scripts and depositors head，but also the modern local movie theater of Bao Zheng． For every story