当代新型工笔花鸟画的超越与回归-美术学专业论文.docxVIP

abandoning the tradition． With the deepening of reform and opening up，past painters had grown in specific historical times and social environment，and expression and style of their works must also adapt to social and cultural background．Todays artists have more free art choice compared to the past．Their mindset is relatively relaxed．As the growth of economic，peoples living standard and level of education greatly increased，demand on art is gradually increasing，so is the taste and artistic perception．Now the MFBP is not an elite art serving only a few，but is generalized to publics daily cultural activities．Adapting to the needs of the public becomes prerequisites of development of contemporary MFBP． In the situation of culture diversifying，China has created many MFBP artistic peaks．A glorious history of tradition MFBP becomes insurmountable peak，as well as the impact of foreign art set up a dilemma for contemporary MFBP．When artists explore ways to get rid of the dilemma，there is born new MFBP featuring tradition-based，absorbing the essence of Western art．Influenced by other painting forms，it focuses on painting materials RD，updating techniques，developing themes and exploring new forms of expression，as well as extensive using of special techniques and creating texture effects to make screen prominent．MFBP has changed a lot from both techniques and creating concepts，but there are some disadvantages left．Relying heavily on special effects，or even giving up the brush and other traditional creating tools changed the nature of Chinese painting. When we make innovation，express personality，we cant lose sight of the essence of our predecessors left behind and the most fundamental essences of Chinese paintings． In this paper，we analyze some new works of MFBP recent years exhibited in major art galleries which differed from the past ones．From their expression style， modeling elements ， interesting ideas presenting three major aspects ， and employing typical cases，we derive