浅论话剧表演与影视表演的不同.docxVIP

浅论话剧表演与影视表演的不同【摘要】话剧表演与影视表演的不同长久以来一直是大家争论不休的话题！然而话剧表演与影视表演虽同属于表演艺术，但它们在创作的方法上是存在着一定不同的规律性。则有的人认为话剧表演影视表演它们之间有着“根本区别”有的人又认为它们是“同一种艺术”！影视表演虽脱胎于话剧表演，但影视表演又基于其更强的包容性而与话剧表演又有着诸多不同。其实不论是话剧表演，还是影视表演两者都是脱胎自表演艺术。首先我们不能忽略便是在语言方面的体现，话剧表演与影视表演在语言方面是有着千丝万缕的联系，话剧语言与影视语言是将各种语言技巧灵活地运用到话剧表演与影视表演之中，创造出了更多鲜活立体的艺术形象，这也是表演艺术应追求的方向!【关键词】话剧；影视；话剧语言；影视语言【 abstract 】 play and the film and television performances of different has long been a subject of argument! However, drama performances and it belongs to the performing arts, film and television performances, but they are in the creation of there are different methods of regularity. Film and television performances between them, some people think that play a fundamental difference some people think that they are the same kind of art! Film and television performance is based on a play, but the film and television performance and based on its more inclusive and has many different with play again. Actually, whether a play or a film and television performance both are sprung from the performing arts. First of all, we cannot ignore is reflected in language, play and the film and television performances in the aspect of language is intimately involved, drama and film language is a variety of language skills and flexibly applied to play the film and television performances, created more vivid stereo artistic image, this is the direction of the performing arts should pursue!【Key Words】drama ；the Film and Television ；Drama Language ；the Film and Television Language.一、概念定位1.什么是影视表演？相对于话剧表演来说影视表演更具有生活真实感，这也就要求演员的表演要得懂得拿捏分寸，以自然平和的状态来应对镜头。面对镜头时要比话剧表演更具有丰富、细腻的心理描写因为影视表演中的特写镜头常常善于摄取极其微小的动作、微妙的细节以及细微面部表情，包括眼睛的闪动、睫毛的颤抖、嘴角的抖动等，这也就要求影视演员要以非常自然的状态说话，不能有半点的夸张，做作，有时甚至要求影视演员的表演要比生活中更为收敛。只有不出现半点马虎的做到这些才能揭示出面部表情后面潜藏在的人物内心的感情，心里活动等······使观众能够看到面部表情以外更多的东西，“感悟”到表情以外更多的含义，继而才能通过演员的表演来推动剧情的发展。这也就要求影视演员有很高的技巧和思想深度：细腻的面部表情、丰富的内心体验、复杂的心理状态。所以影视演员须熟悉和掌握好拍摄特写镜头的规律和技巧。才能在影视拍摄中显得游刃有余，否者则会显得呆若木鸡。2、什么是话剧表演？话剧在欧洲，一般发端于古希腊悲剧和喜剧的舞台,是门年轻又古老的形式，算算也有两千多年的悠久历史了！20世纪初传入中国，1928年戏剧家洪深提议