秦腔剧院声学设计研究初探汇总.pdfVIP

Abstract This paper mainly studies the acoustic effects and the principle of house to create strategies for the theater of Qin-Opera performances, aimed at finding a form of the modern theater for Qin-Opera performances by analyzing the development of Qin-Opera and its acoustic characteristics as well as the evolution of the theater. At the same time, this essay made a comparatively detailed survey and analysis of the theatre space of the internal hall through so many ways such as sending questionnaires of the subjective feelings and making a survey about the sound quality. In order to make a more comprehensive understanding of the Qin-Opera Theatre building, this paper attempts to analyze the acoustic field in the internal space of the Qin-Opera Theater from an accurate, objective and scientific aspect. With the information and documentation collected about the design of Qin-Opera Theatre building, I’ve analyzed the history and current situation of its acoustic design. And then I’ve dissected the examples in detail, which I’d got the first-hand data from the research I’d made. Finally, I summarized the acoustic design principles and strategies of the contemporary Qin-Opera Theatre building Studies have shown that the singing of Qin-Opera is a frequency-based drama performance, including two parts of singing and reading the words, so that the theater needs to ensure the fullness of the singing and the articulation of the words. The factors affecting the performance in the Qin-Opera Theatre include loudness, reverberation time, sound diffusion, sound field non-uniformity and early reflection sound. The author proposed the design from the audience hall with the form and scale, and also