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TPO 10 Conversation 1NarratorListen to a conversation between a student and her Photography Professor.StudentProfessor Jason, there is something that’s been on my mind.ProfessorOk.StudentRemember last week, you told us that its really important to get ourphotography into a show, basically as soon as we can?ProfessorYes up, its a big step, no question.StudentThing is, I am sitting here and I am just not sure how I get there. I mean I’ve gotsome work I like, but is it the really what the gallery is looking for? How would Iknow, how do I make the right context to get it into show, I just really dont...ProfessorOk, slow on, slow on. Um…these are questions, well, just about every youngartist has to struggle with. Ok, the first thing you should do is you absolutelyhave to stay true to your artistic vision; take the pictures you want to take.Dont start trying to catch the flavor the monsoon, be trendy because you thinkyou are getting into a show--- that never works, because you wanna themcreating something you dont really believe in. That sounds uninspired, andwon’t make any shows. Ive seen that have happened so many times. Thisdoesn’t mean that you should go into the caves. Keep up with the trends, eventhink about how your work might fit in with them, but dont mindlessly followthem.StudentWell, yeah, I can see that. I think though I have always been able to stay prettytrue to what I want to create, not what others want me to create. I think thatcomes through my work. ProfessorOk, just remember that is one thing to create works that you really want tocreate one that in the classroom. The only thing is stake is your grade. Butwhat create outside the classroom? That could be in different story. Eh, Im nottalking about techniques or things like that. Its just there is so much morestake when you are out there ** art for living. There are a lot of pressuresto become something you are not, and people often surrendered to thatpressure.StudentBut to get stuff it exhibited…Professo