Society for Music Theory（社会对音乐理论）.pdfVIP

Society for Music Theory Harmony and Meter in the Theories of Simon Sechter Author(s): William Earl Caplin Source: Music Theory Spectrum, Vol. 2 (Spring, 1980), pp. 74-89 Published by: University of California Press on behalf of the Society for Music Theory Stable URL: /stable/746180 . Accessed: 25/12/2013 01:03 Your use of the JSTOR archive indicates your acceptance of the Terms Conditions of Use, available at . /page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@. . University of California Press and Society for Music Theory are collaborating with JSTOR to digitize, preserve and extend access to Music Theory Spectrum. This content downloaded from 4 on Wed, 25 Dec 2013 01:03:01 AM All use subject to JSTOR Terms and Conditions Harmony and Meter in the Theories of Simon Sechter by WilliamEarlCaplin A recent exchange of views in Die Musikforschung has fully the dynamics of melody and harmony into their systems of brought into focus a major, unresolved question in the history of rhythm and meter.2 music theory: is the interrelation of pitch and rhythm treated Independent of this discussion in Germany, the American more consciously and thoroughly by eighteenth-century theorist Maury Yeston has also contributed to one side of the theorists or by nineteenth-century theorists? Gudrun Henneberg