_飞越疯人院_解构主义分析_谭晓春.pdfVIP

2011年3月 天津外国语大学学报 第18卷第2期 Mar. 2011 Journal of Tianjin Foreign Studies University Vol. 18 No. 2 《飞越疯人院》的解构主义分析  谭晓春，郭德艳，王庆勇 （昆山经济技术开发区管委会，江苏昆山 215300；天津外国语大学 英语学院，天津 300204；天津理工大学 外国语学院，天津 300191）                                 摘  要：肯·凯西的《飞越疯人院》以疯人院影射现代社会，并通过一系列的人物塑造和事件描写颠 覆了传统的男女形象和健全/疯癫的意识形态，将矛盾的双方换了位置。他的矫枉过正意在使人们质 疑存在了千百年的以二元对立为基础的意识形态和思维模式，从而进一步思考这种意识和思维模式以 及由此建立的体制对于人类自由的束缚。试图从解构的角度，通过文本细读，指出肯·凯西只能在虚 拟的文本中解构体制，以解构实现对现实世界的超越和对自由的追求。 关键词：解构；《飞越疯人院》；性别意识；疯癫与健全；自由 Abstract: Ken Kesey’s One Flew over the Cuckoo’s Nest uses an asylum as the epitome of modern society and describes quite a few characters and a series of events. Through changing the places of the conflicting sides, it deconstructs the traditional man and woman image, the traditional concept of sanity and insanity and hence the major part of the traditional binary opposition which is the basis of the dominant ideology. Ken Kesey’s deconstruction puts in doubt the righteousness of the dominant ideology and thinking pattern, and helps us question the ideology-based system that has greatly fettered people. Through the method of deconstruction and close reading, this thesis points out that although Ken Kesey’s Utopian deconstruction of the existing system only exists in his text, his effort opens a window for us to transcend the reality and seek freedom. Key words: deconstruction; One Flew over the Cuckoo’s Nest; gender ideology; sanity and insanity; freedom       中图分类号：I106.4    文献标识码：A    文章编号：1008-665X（2011）02-0042-06 一、引言  者认为，精神病院象征着美国社会，大护士 美国作家肯 凯西的《飞越疯人院》现已 是体制的化身，而麦克墨菲和布罗登等人前 · 成为当代美国文学的经典。它凭借碎片化口语 赴后继冲出精神病院的努力象征着人们对自由 化的散文风格、紧凑的故事情节、浓郁的象征 的向往和追求。然而，鲜有人注意到，肯 凯