现代主义和后现代主义（Modernism and Postmodernism）.docVIP

现代主义和后现代主义（Modernism and Postmodernism） Four basic aesthetic characteristics of postmodernism literature and art: 1. main bodies disappear. In the post-modern cultural atmosphere, the traditional values and hierarchy have been reversed, and the personality and style of modernism have been completely eliminated, and the subject has become a broken illusion. 2. depth disappearance. Modern art is always in pursuit of the ideal of Utopia, the ultimate truth as the theme, and modern art has abandoned the depth model of the work itself has no thoughts, no longer explain to mining any meaning, only the pursuit of pleasure language. 3., the sense of history disappears. History is always the thing in memory, and memory always has the feeling and experience of memory subject. Modernist art is obsessed with historical consciousness because of its pursuit of depth. In modern art, history means nostalgia only. It appears as an image that caters to commercial purposes. 4. distance disappears. In modernist art, distance is not only the boundary between art and life, but also the boundary between creation subject and object. It is a kind of conscious control means for readers to think about their works. Modern art, due to the disappearance of the subject, the works lose depth and sense of history, only has effect on the stimulation of human senses, without any inspiring and motivating function, in other words, it emphasized the desire itself. It should be seen that, due to political and cultural reasons, the influence of postmodernism on Eastern culture is more of a conceptual inspiration. Post modern culture in literature, as a kind of narrative discourse and style, and had no choice, no meaning, no skill center complete structure, narrative is divergent, meaning the center by digestion and divergence to the edge of the text. Influenced by it, there are new realistic novels represented by Sun Ganlu as well as consumer literature and its representative Wang Shuo phenomenon. Now, no