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艺术学概论 名词解释(Interpretation of Art)
艺术学概论 名词解释(Interpretation of Art) Interpretation of Art 1, the objective spirit said that in the history of art, one of the main opinions about the essence of art is art, which is the embodiment of idea or objective universal spirit. Is the main representative of the ancient Greek philosopher Platon, German classical aesthetics synthesizer Hagel; Platon believes that the rational world is first, the perceptual world is the second, and the art world is just the third of the. 2, subjective spirit is a major view of the essence of art in art history. Art is the manifestation of self-consciousness, the impulse of life noumenon. Representative of German classical aesthetics into Zukangde, nietzsche. Kant believes that art is purely a creative creation of writers and artists, and that free art does not contain any interest, and does not involve any purpose. 3, imitate, say, or reproduce: a major view of the nature of art in art history, that art is the imitation of reality, and later, more that art is a reproduction of social life. Ancient Greek Aristotle believed that art was the imitation of reality. First of all, he affirmed the reality of the reality, and thus affirmed the imitation reality of the art of authenticity. The Russian Revolution of nineteenth Century Democrat Chernychevsky from him about beauty is life judgment of that art is the life of reproduction. 4. Imitation comes from imitation. This is the oldest form of argument. The main representative is two thousand years ago, the ancient Greek philosopher de Mclit and Aristotle, they think that imitation is a human instinct, all art is imitation, no matter what styles and types of art. 5, the game originated from the game. The representative of this theory is the eighteenth Century German philosopher Schiller and the British philosopher Spencer in nineteenth Century, known as the Schiller Spencer theory. This view suggests that artistic activity or aesthetic activity originates from the game instinct of human
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