中西悲剧异同（Similarities and differences between Chinese and Western Tragedies）.docVIP

中西悲剧异同（Similarities and differences between Chinese and Western Tragedies） Aristotle: is defined as the tragedy of a serious, complete, there is a certain length of the imitation of the action; caused by pity and fear to get this kind of emotional catharsis (purification, catharsis). When Lu Xun talks about social conflicts in tragedy, he points out, tragedy is the destruction of valuable things in life.. Zhu Guangqian believes that the tragedy of the drama form and the term originated in Greece, this genre almost every other major nation are not, no matter Chinese, Indians, or Hebrew people, I have a strict sense of the tragedy. Is there a tragedy in China? This question regards the western definition of tragedy as a universal truth, ignoring the heterogeneity of Chinese and Western cultures, and is the manifestation of Western centralism. The following are the similarities and differences between Chinese and Western tragedies. One, same point 1, the origins of Chinese and western tragedies are closely related to folk activities and closely related to religion. 2, tragedy always dominates and becomes the basis of drama conflict throughout. 3, Chinese and western tragedies, no matter how the protagonists come from, what they have experienced, they are always typical tragic characters. 4, the tragic conflict is often in the tragic structure, surrounded by the protagonist of the positive forces and the opposition of the opposition, and continue to promote the plot, and lead to the final solution. 5, tragedy has always been full of tragic atmosphere and emotional appeal, this atmosphere and emotional appeal and tragic plot unfolds from beginning to end, mutually and mutually. 6, the theme of the pursuit of serious: tragedy solemn, serious, heavy. The theme of tragedy is shown through a complete story, and raises further questions about the subject. 7, the pursuit of a moral sense of identity: first, the audience can agree with the moral principles of the heros characte