外国美术史(History of foreign art).docVIP

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外国美术史(History of foreign art)

外国美术史(History of foreign art) Cave paintings: cave paintings in the southern part of France and northern Spain. These murals show the animal as the main content, the technique is realistic, the line is concise, the image is vivid, has the simple bright and dark to depict you, the color is mostly black red, black and brown. The style natural roughness, realistic high realistic ability. The most representative of the cave art is the altamira cave in northern Spain and the Lascaux Cave in southern France. 2. In ancient Egypt, reliefs and murals had a common formula: 1. Positive law, showing the head of the person with a positive side, with a positive eye and a positive shoulder, and a positive side of the waist; (2) horizontal bands of structure, dividing the picture with horizontal lines; According to the size and location of the proportion of the people; The filling method, the picture is fleshed out, leaving no blank; Fixed color program: the mans skin is mostly brown, the woman is light brown or light yellow, the hair is blue and black, the eye is black. Magnum opus: nanomaterials, the queen of nafititi Why is the source of European art in ancient Greece 1. The formation and development of Greek art are closely related to its social history, national characteristics and natural conditions. Slaves of the city-state The main democratic government has provided favorable conditions for the development of cultural art. The state of the city-state required a strong constitution and a perfect mind, which also became an ideal image of art creation. 3. The development of trade and maritime industry has resulted in the strong will, resourcefulness and willingness to pursue the ideal of the greeks The la man was given the opportunity to reach out to the culture of the two rivers, Egypt and other places, thus giving birth to a large number of outstanding artists. Greek mythology is the soil of Greek art, which gave birth to the germination of history and philosophy, and the G

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