古籍英译(李清照)精选.pptxVIP

如梦的早年;【译文】 　 昨天夜里，雨点稀疏，晚风急猛，虽然酣睡了一宵，还是余醉未消。试探地问那卷帘的侍女，她却告诉我说，海棠花还跟原先一样。唉，你知道吗，知道吗，海棠树应该是绿叶繁茂、红花凋零了。;国内李清照词英译共有22位译者。根据译者采取的不同的翻译方法，可明确地分为三类: 韵体翻译法译者代表：许渊冲 特点：在忠实原文基础上侧重强调译诗的诗歌韵式 自由体翻译法译者代表：杨宪益、冰心等 特点：主张译诗忠实于词的内容的传达 散文体翻译法译者代表：翁显良 特点：在忠实于原文内容的前提上更注重强调译诗诗歌的意象和节奏的表达;Tune：Like A Dream by 许渊冲;Ru Meng Ling by 杨宪益;Tune: “Dream Song” by 叶维廉;昨夜雨疏风骤 last night rain sparse wind sudden 浓睡不消残酒 Deep slumber not dispel remaining wine 试问卷帘人 try ask roll- blind- person 却道海棠依旧 but say begonia – remain-the-same 知否？知否？ Know ? know ? 应是绿肥红瘦 should-be- green fat red thin ;The green is getting thicker?/ But the red is getting sparser.(茅于美) The green must have grown fat and the red gone thin.(D.C.Lau) Now leaves should be large and flowers should be small?(徐忠杰) Now is the time when green should be corpulent / And red should be gaunt.(龚景浩) The leaves should be lush, and the petals frail.(欧阳桢);淡淡清愁的青年;《词?醉花阴》;这首词是作者婚后所作，抒发的是重阳佳节思念丈夫的心情。 从天气到瑞脑金兽、玉枕纱厨、帘外菊花，词人用她愁苦的心情来看这一切，无不涂上一层愁苦的感情色彩。 以花木之“瘦”，比人之瘦，诗词中不乏类似的句子，这是因为正是“莫道不消魂，帘卷西风，人比黄花瘦”这三句，才共同创造出一个凄清寂寥的深秋怀人的境界。“莫道不消魂”，直承“东篱把酒”以“人拟黄花”的比喻，与全词的整体形象相结合。“帘卷西风”一句，更直接为“人比黄花瘦”句作环境气氛的渲染，使人想象出一幅画面：重阳佳节佳人独对西风中的瘦菊。有了时令与环境气氛的烘托，“人比黄花瘦”才有了更深厚的寄托，此句也才能为千古传诵的佳句。;Poem in Tune of Zuihuayin by Li Qingzhao of Song Dynasty Fogs thin, clouds dense, woeful all day long; Ruinao incense burned up in a beast-shaped brass burner. Now again is the Day of Double Ninth; Porcelain pillow, and gauze-canopied bed, Cold penetrates the gauze at midnight. Drink wine at east fence after twilight; The sleeves filled with faint scent. Don’t say it’s not transported; The west wind blows up the curtain, And I find myself thinner than yellow flowers. by 海外逸士 ;海外逸士，原籍上海。双语