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Fractal analysis of songs-- Performer’s preference
Nonlinear Analysis: Real World Applications 11 (2010) 1790–1794
Contents lists available at ScienceDirect
Nonlinear Analysis: Real World Applications
journal homepage: /locate/nonrwa
Fractal analysis of songs: Performer’s preference
Atin Das a,?, Pritha Das b
a NH School, 1/257 Naktala, Kolkata 7000 047, India
b Department of Maths, BESU, Shibpur, Howrah 711 103, India
a r t i c l e i n f o
Article history:
Received 31 August 2007
Accepted 6 April 2009
Keywords:
Song
Music
Time series analysis
Fractal dimension
a b s t r a c t
In this paper, we shall attempt fractal analysis of time series derived from two popular song
types. Each type of song has its own notation, which is to be followed by an artist singing it.
We found earlier that the fractal dimension (D) calculated from a song is a good measure
of the complexity of its notation. The purpose of the present study is to find whether, if the
same song is sung bydifferent performers,Dwill vary, andhowan individual’s performance
varies when singing songs with the same notation and same wording. We shall employ
nonlinear time series methods to calculate D for different samples of the said two types to
address this question.
? 2009 Elsevier Ltd. All rights reserved.
1. Introduction
There is a fundamental relationship between our perception of beauty in melody and musical form and the presence of
fractal qualities in music. Aspects of certain theories about the origins and fundamental structures of melodies suggest that
much—perhaps all—beautiful music is, in some essential sense, fractal in its melodicmaterial and internal self-similarity [1].
Musical analysis is a complex task, yet mathematical analysis of music is not new, though there is no standard method. On
the basis of spectral time series analysis of recordedmusic, Voss and Clarke [2,3] concluded thatmusic is 1/f -noise. The facts
that music exhibits 1/f -power spectra at low frequencies and music possesses self-similarity allow us to consider music as
a time
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