书法传统与当代书法创作.pdf

南京艺术学院 硕士学位论文 书法传统与当代书法创作 姓名：徐燕 申请学位级别：硕士 专业：美术学（书法） 指导教师：徐利明 内容摘要 本文通过对“书法传统”作清晰地分析、研究和梳理，以指导我们在书法 临摹与创作过程中正确地理解和运用书法传统。这篇文章将以形而下的技（笔法 即执笔和运笔）去表现形而上的道（阴阳，这里指书法传统或书法精神）做为切 入点，去阐述中国书法传统。通过对不同名词加以分析、解释，使我们清醒地认 识到应该掌握什么样的、哪一时间段的书法传统，本文认为应在成熟的传统书法 （经典作品）中去体现，如魏晋时期。代表书家钟繇、王羲之及其作品（如《荐 季直表》、《兰亭序》）。从而明确临摹与创作的目标。那就是找出书法经典用笔的 规律，进而从共性的用笔中生发出自己的个性用笔。这就是本课题的目的和意义 所在。 关键词：书法、传统书法、书法传统、当代书法创作 I Abstract In order to guide people to apprehend and to apply the traditional calligraphy correctly to the process of copying and producing calligraphy, this issue made a clear analysis and research on the “traditional calligraphy”. Taking the performance process from physical skills (that is the brush-pen holding and the brush-pen running) to Tao (yin and yang, which refers to calligraphy tradition or spirit of calligraphy) as a start, the author expatiate a Chinese calligraphy traditional arguments that ingenious skills can be Tao. Through analysis and explanations of different terms, we known clearly when and what kind of calligraphy tradition we should acquire. The author holds that it should be display in mature traditional calligraphy (classical works such as in the Wei and Jin Dynasties), typical calligraphers such as Zhong Yao and Wang Xizhi (whose works are “recommendation for Ji zhi”(Jian Ji Zhi Biao), “Orchid Pavilion Preface”, etc. ) , thus defines the end of copy and produce, that is to find the law of classical skills of calligraphy pen using , then develop a personal pen using skills from the common pen using skills, which leads to the purpose and significance of this subject. Key words: call