试论徐渭绘画的价值取向毕业论文.docVIP

摘 要 从中国传统文化来看，最讲求奇正相生，儒道相补。“中和之美”正是儒家思想的审美观，而和儒家互补的道家奇文化则崇尚“奇崛之美”。明代隆庆万历年，正文化发展为文化思想的专制，奇文化迅速得到发展，掀起了一股压倒正文化的浪潮，谱写了中国文化史上的新篇章。 在明清时期这种病态的社会背景之下，为了保持清操的文人墨客普遍认同，将自己的思想反映在文学，诗歌，书画，戏曲之上。而这种开风气先的代表就是徐渭。隆万之后，这种反中正的奇文化人广泛出现，主张“颠”“迂”“痴”反对中和，对社会不公平，公正的强烈冲突。具体如：“磊落不羁，放浪形骸 ，性形骇俗”的陈洪绶；“疯癫独孤，隐约玩世”的八大山人；“轻狂不捡”的郑板桥；“狂纵肆意”的黄慎；“性情逋峭，世多以迂怪目”的金农等等。这些画家多为仕途，人生受到挫折，普遍持反中和的思想，行为不拘礼法，出世过于偏激。崇尚个性和自我表现，喜好与众不同，与社会形成对立而不可调和的态势，愤世嫉俗是他们共同的个性，而他们最崇拜的人就这位张扬个性的水墨大写意画家---徐渭。 文章从宏观的角度对徐渭绘画艺术的形成及影响进行论述；从人品，题材，画风，意境，士风等角度进行分析；与前人花鸟画的区别。又以微观的方式阐述了徐渭绘画艺术的特别之处，剖析他“本色自然”的绘画理念；“不求形似求生韵”的造型观念；“舍形而悦影”的创作方法论。并由此探究了中国古典哲学思想儒家文化，道家文化和佛学与徐渭绘画艺术的相关问题。 文章还以丰富可证实的图例让我们从视觉上领略徐渭绘画艺术的独特魅力和文化底蕴，从中获得艺术创造的启示，创造出傲人的佳作。 关键词：徐渭，绘画艺术，文化底蕴 ABSTRACT From the perspective of traditional Chinese culture, the most emphasis on odd Aioi, Confucianism, Taoism and complementary. And the beauty of the aesthetics of Confucianism, and Taoist Qi culture and Confucian complementary advocating Peculiar beauty. Ming Dynasty, Khanh million over the years, positive cultural development for the cultural ideology of autocracy, odd culture rapidly develop, setting off a wave of an overwhelming positive culture, and write a new chapter in the history of Chinese culture.??In order to maintain a clear operating men of letters generally recognized in the context of this sick society of the Ming and Qing Dynasties, will own thoughts reflected in literature, poetry, painting, drama above. This started the trend first representative of Xu Wei. Long Wan, this anti-Chiang Kai-sheks odd intellectuals widespread, stands for Britain roundabout crazy opposition, and social injustice, fair and strong conflicts. Such as: above-board uninhibited, Fanglangxinghai, sexual shape Hai vulgar shou; madness Tokgo vaguely cynical Ba Da; frivolous, do not pick up Banqiao; mad longitudinal wanton Huang Shen; temperament Bu steep, the world and more roundabout strange eye, McKinnon. These artists for career setbacks in life, in general anti-and thinkin