帝王审美理想对圆明园造园艺术影响.pdfVIP

帝王审美理想对圆明园造园艺术的影响 清华大学建筑学院 郭黛妲 Theinfluenceofthe Emperor，S IdealOntheArtof inYuan LandscapeMing 妇an Abstract：The ofYuan Yuancanbe dividedintothree buildingprocess Ming briefly periods： beforethe of the of Underthe reignYongZhengEmperor,UnderreignYongZhengEmperor,and of oftheYuan Yuanconstructionhaditsown reignQianLongEmperor．Eachperiod Ming style andcontentwhichwere differentfromtheothertwo．Inthefirst attentionwas greatly period focusedonnatural constructionwhichreflectstheinterestsoftraditionalChinese landscape manandhermits．Inthesecond wasan literary period，the“ZhengDaGuangMing’’whichimperial and which thewholeChinese governmentalbuilding the“JiuZhouQingYan’’scenerysymbolized wereconstructedthe aestheticideal and allover Empire reflectingEmperor’S of‘‘Harmonypeace thewhole9continentsofthe thelast and werebuiltto Empire”．Inperiod，mostlandscapegardens demonstrate aestheticidealasbothan anda hiswillto QianLongEmperor’S emperorsage，and collectallthebeautifulsceneriesintohis Yuan Yuan． imperialgardenMing 摘要：圆明园的建设主要分成三个阶段，即雍正登基以前、雍正时期、乾隆 时期，这三个阶段圆明园的风格和内容有很大差别，第一阶段是以欣赏自然景观 为主，表现出文人、隐士园的审美情趣，第二阶段建设了临朝理政的建筑正大光 明、象征古代中国国土的九洲景区等，达到了皇家园林应有的境界，表现出大国 之君希望“九洲清宴”、天下太平的审美理想。第三阶段的建设则表现着乾隆内 圣外王、天下美景何其不有的审美理想。