穿越历史后街——论陈映真文学写作中政治叙事.pdf

穿越历史的后街——论陈映真文学写作中的政治叙事 踪陈映真“走过台湾当代历史的后街”的思想历程，重新发掘被文学史的政治话语所掩盖 的陈映真的内心世界，并穿透层层政治“夜雾”来展现被两岸众多文学史所遮蔽的台湾文 学的复杂与多元，从而让我们用更为客观、更为冷静的心态去认识真实的台湾文学，并通 过台湾文学认识孕育台湾文学的这片土地以及生活在这片土地上的人民。 关键词：陈映真；乡土文学；政治叙事；历史记忆；民族认同 II 穿越历史的后街——论陈映真文学写作中的政治叙事 Abstract In modern times, nations have gradually become the principal part of history, thus nationalism becomes an important portion of modernity. Historical consciousness of the modern society is irrefragably dominated by the “nation-country” pattern. In the field of literature research, it’s unimaginable to compile the whole history of national literature, because it is constructed on the base of materials that are in nature “non-literal”. It demands us to take in serious consideration those factors such as national ethics, nature of the nation and the incorporate state of “nation-country”, which in fact have little to do literature and arts. Literary research of Taiwan, including its idealistic source, concerning problems and important views, etc, is not totally decided by the need of the subject itself. A systemic political theory employed to assure the wholeness of a nation also is effective in guiding the theory of literary research of Taiwan. For Taiwan literature, there is no need to doubt its characteristics of being rich and pluralistic. Political factors behind it, however, make Taiwan literature more complex. In this way, Taiwan literature cannot be simply cataloged as pure literature in form. For instance, Chen Ying-zhen, a writer in Taiwan, is more often regarded, in an abstract way, as a “political symbol” of literary field of Taiwan and of China, even of the academic