张弛有度--《红楼梦》中三首艺术歌曲的演唱阐释.pdf

目录

目录

摘要·······················································································I

ABSTRACT·············································································II

绪论·······················································································1

一、三首艺术歌曲整体演唱表现的张弛原则····································2

（一）遵循含蓄表达的美学范畴··············································2

（二）立足于原作中悲情的张力呈现········································3

二、三首艺术歌曲诗乐相和形成的张弛对比····································3

（一）起承转合间的张弛结构·················································4

（二）音节组合的张弛节奏····················································9

（三）声调、语调与旋律的抑扬相合·······································11

三、三首艺术歌曲演唱中的张弛表现···········································12

（一）《题帕三绝》中“一唱三叹”的张弛表现························12

（二）《秋窗风雨夕》中“秋”字的张弛表现···························14

（三）《葬花吟》中“天问”之句的张弛表现···························16

结语·····················································································18

参考文献···············································································19

附录·····················································································21

致谢·····················································································22

攻读博士/硕士学位期间主要研究成果··········································23

贵州师范大学学位论文原创性声明··············································24

贵州师范大学学位论文使用授权书··············································24

摘要

摘要

作曲家王立平为1987年电视剧版《红楼梦》创作的音乐作品几年来以

音乐会组曲的形式多次在全国乃至海外上演，其声乐套曲蕴含了原著中浓

郁的悲剧意味。在小说《红楼梦》中《题帕三绝》《秋窗风雨夕》《葬花

吟》三首诗作是宝、黛爱情故事线发展过程中，作者曹雪芹塑造的黛玉这

一人物内心情绪和情感变化的真实写照。本文以中国传统唱论美学宗旨为

立足点，提出在演唱此三首作品时不仅要做到把握《红楼梦》声乐艺术套

曲的整体风格及作品的腔词关系，对于不同的声乐作品所传达的悲情，还

要做到有分寸、有节制的演唱表现。

关键词：题帕三绝；秋窗风雨夕；葬花吟；张力；演唱