郭沫若诗歌翻译中的解构主义特征-英语语言文学专业论文.docxVIP

Supervisor: Associate Professor Zhang Derang The Deconstructive Traits in Guo Moruo’s Poetry Translation Zhang Jie Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the English Department, Foreign Languages College Anhui Normal University May 2006 I I Acknowledgements Writing this thesis makes me realize how fortunate I am. My supervisor, Prof. Zhang Derang has given me constant encouragements, even during his stay in the U.S. Besides, I want to thank him for his insightful suggestions and careful proofreading. I am also grateful to the following teachers in my college, who have given generously of their time and energy in presenting wonderful lectures during my three years of postgraduate study: Prof. Sun Shengzhong, Prof. Yue Jinsheng, Prof. Ouyang Junlin, Prof. Chen Xianfu, and Prof. Du Kefu. I am indebted to my friends in Beijing too, who made my trip of investigation to the capital city comfortable and fruitful. In addition, my family has supported me throughout the months. My parents have shouldered such a great part of my housework. Without them, I could not have finished the task of writing in time. II II The Deconstructive Traits in Guo Moruo’s Poetry Translation Abstract Guo Moruo was a great translator as well as a great poet, scholar, and archeologist. In fact, he was very productive in translation practice and unique in his understanding of the job. However, his achievements in this field have not been given due attention. Though some scholars have sorted out his translation activities, it is far from enough. New approaches are needed to ensure more significant findings. The deconstructive translation theory originated in the west offers an appropriate frame of reference. Its rebellious understanding of the key notions in translation matches Guo’s unconventional thinking about those issues and explains his controversial performance. The present thesis reinterprets Guo Moruo’s poetry translation, aiming