工笔人物画家宋忠元作品中的诗意性探析美术中国画专业论文.docxVIP

杭州师范人学硕士学位论文 杭州师范人学硕士学位论文 工笔人物画家宋忠元作品中的诗意性探析 摘要 工笔人物画家宋忠元先生，是形成于20世纪50年代初的绘画流派——浙派 人物画的开山五祖之一。他以传统笔墨为基础，融西方造型理念于传统绘画之 中，形成了独特的艺术审美观和作品特色。所谓“诗画合一”，源起东晋，顾 皑之的《洛神赋图》是已知最早以诗入画的典型。唐代，王维绘制的《辋川图》 (现藏于日本)，亦是现存较早的诗意图稿之一。随着历史发展和文人画的日 益兴盛， “诗意”在传统绘画中，逐渐成为传情达意的主要美学特征。虽然因 为历史格局动荡，绘画中的文脉曾有过断层，但在潘天寿先生“诗、书、画， 缺一不可”的学术引导下，宋忠元的工笔人物画，终在传统技法上体现出“诗 意”的境界。宋先生在“诗意”上的继承发展，是对传统文人画的一种致敬； 而其在画面构图中渲染的诗歌意向，又确立了当代国画可供参考的构成方式与 创作路径：既对创作实践有很好地启示作用，亦将五千年的文化积淀，通过绘 画作品薪火相传。 关键词：宋忠元；诗意；工笔人物；境界 万方数据 AbstractSong Abstract Song Zhongyuan is of the first five progenitors of Zhej iang school Chinese Figure Painting，which is formed in the early 1 950 and 1 960s．He based the traditional pen and ink．Which formed unique aesthetic and arts features that made the traditional poetry mingled withe western design concept， So。called combination of poetry and painting，is Originated from Eastern Jin dynasty (3 1 7．420)．The painting named Goddess Luo Rhapsody，is created by Gu Kaizhi，one of the famous painters in china．In Tang dynasty，Wang wei。some people called him poem Buddha—drawed picture named Wangchuan Valley，that’S also one of the existing most early poetic imagery．With the development of history and the flourishing of Literati Paintings，poetry in the traditional painting，no matter landscape，flowers birds，or figure painting，has gradually hold dominant position in SMS．Although there had fault in context because of in the historical paaern of unrest，but owed to the academic guidance from Pan Tianshou，The fine brushwork figure painting of Song Zhongyuan，reflects both the traditional techniques，and also the state of poetic．On the inheritance，development and characteristics of”poetic”performance．Mr Song showed tribute to the traditional literati paintings，j ust Pan Tianshou said”poetry，books，paintings，be short of cannot”．The way of creation showing the poetic realm by Mr Song，is considerable sign to the traditional Chinese painting creation and practice，when also demonstrated the cultural accumulation After fi