当代文化语境下的综合版画-美术学专业论文.docxVIP

中文摘要 19 世纪末，艺术开始进入综合时期，也是艺术家寻找新方向的时期。自此， 新材料、新技术在各个领域中得到广泛应用。因版画创作中对物理、化学性质 的呈现性表现，物质材料和工具特性的技术敏感等，都无疑给版画的发展注入 了新的血液，中国版画的各个版种在 80 年代末和 90 年代初得到了很大的发展， 系统性、专业性更强。正是在这样的环境的孕育下，综合版画由此而走上版画 的历史舞台。当时虽只是出现了一些综合版画作品，并没有系统化、权威性的 研究。正因如此，综合版画的发展空间大、有较强的动态性、可变性，更由于 对多种版材的研究，催长了综合版画艺术的发展与进步。 综合版画进几年在学术界也已得到普遍认同。是继“新三版”以来版画语 言的一种拓宽和综合体现。综合版画概念的本质就是最大限度地提高材料在表 现过程中的有效性，在人们日常生活中随处可见的普通材料中去发现美，体现 了版画家的创意和精神性。更由于社会的不断进步，当代版种材料无限拓展使 得当代版画的综合趋势进一步加强。2007 年首届“全国综合版画展”在广州美 术学院成功举办，让人们感觉到，在当代文化语境下的大环境里，综合版画的 创作是符合新时代对于艺术创作的要求的。综合版画创作本身所涵养的创新思 维就是对时代步伐的跟进。在这么一种创作理念的引领下，综合版画艺术的发 展也会随着时代的步伐走的更快、更稳。 关键词：文化语境；综合版画；有效性；精神性 I Abstract End of the 19th century, period of art came into the comprehensive, is also an artist looking for a new direction. Since then, new materials, new technologies are widely used in various fields. Due printmaking in the creation of the physical and chemical properties of rendering performance, materials and tools sensitive characteristics of technology, was undoubtedly to inject new blood into the development of printmaking, China prints of all kinds in the 80 and 90 have achieved great development in the early, systematic, professional and more. It is in this environment under the initiation of, comprehensive print to print the historical stage. At that time is just a number of integrated print work, and there is no systematic and authoritative research. It is for this reason, comprehensive print large development space, a strong dynamic and variable nature, more based on a study on the multiple plates, rush has long integrated engraving art of development and progress. Comprehensive print into years in academia has also been generally recognized. Is the new version prints a widening and comprehensive embodiment of language since. Essence of the concept of integrated print is to maximize the effectiveness of the material in the course of performance, can be seen in peoples daily lives of ordinary materials found in the United States, reflects the artists creative