歌剧《苍原》中娜仁高娃的音乐形象和艺术表现分析-音乐专业论文.docxVIP

万方数据 万方数据 摘要 歌剧《苍原》自 1995 年首演至今已近百场，这部由辽宁歌剧院创作、演出的歌曲是自 新中国成立以来最具代表性的经典歌剧之一。 这部作品取材于土尔扈特人不远万里，举族东迁的故事，为了回归祖国历尽艰难险阻 的爱国主义主题。歌剧《苍原》以土尔扈特人为了回家克服种种危机为戏剧线索，将一个 民族的一种期望，一丝眷恋表现的淋漓尽致。它以较小的篇幅呈现了重大的历史事件，不 仅在在 200 多年前具有深刻影响，新中国成立之后改革开放的今天也体现了重要的现实意 义。全剧是以蒙古族的音乐风格贯穿始终，悠扬、浓烈的民族音乐旋律出现在歌剧的每个 角落，在音乐设计和创作方法既体现了各种艺术形式的统一，又展示了历史与现实、内容 与形式的完美结合。歌剧中的音乐离不开人声的配合，音乐形式方面，《苍原》中几个主 要人物的咏叹调都异常精彩，本文主要通过对女主人公“娜仁高娃” 音乐形象和艺术表 现的分析，在前辈们对有关歌剧《苍原》细致研究的基础之上，进一步探索歌剧中女主人 公的形象塑造和演唱技巧方面的艺术表现。 第一章笔者将从创作背景、作者简介、音乐特征、创作特点和风格特点四个方面对作 品进行整体概括；第二章通过分析娜仁高娃演唱的咏叹调歌曲，笔者具体阐述了女主公的 音乐形象和她所具备的审美价值；第三章笔者通过分析幺红的演唱技巧来着重阐释娜仁高 娃在故事中的艺术表现 关 键词：《苍原》 娜仁高娃 音乐形象 艺术表现 3 ABSTRACT The opera cubeba original since the first performance in 1995 has been nearly a hundred games, the creation, by the Liaoning opera performances of the song is one of the classic opera since the establishment of Chinese most representative. And incorporated into the national project best stage art primary repertoire in the year 2002. And after the premiere will be known as the milepost Chinese opera, opera nationalization model. This work was based on probe they make light of travelling a thousand li, give family moved to the story, in order to patriotic themes return to the motherland experienced hardships and dangers. The opera cubeba original to probe for home they overcome various crisis drama clues, an expectation of a nation, a kind of the most incisive performance. It presents the significant historical event to the smaller space, not only has a profound impact on the more than 200 years ago, after the reform and opening up new Chinese today also reflects the important practical significance. The play is the Mongolia ethnic music style throughout, melodious, strong national music melody appears in every corner of the music in the opera, the design and creation method not only reflects the unity of all forms of art, and to show the perfect combination of content and form, the history and the reality. With the music in the opera cannot do without the