中国剪纸图纹应用于袋包服饰与油纸伞之设计TheApplicationof.PDFVIP

中國剪紙圖紋應用於袋包、服飾與油紙傘之設計 The Application of Chinese Paper Cutting Patterns to Bag ,Costume Designs and oilpaper umbrella. 指導老師: 朱麗媛 老師 專題學生:蔡易倫TSAI,Yi-lun、林郁雯LIN,Yu-wen 摘要 由於袋包與服飾的使用上可視為人們身體的延伸，而油紙傘除了是早期生活必備用具外，也 深具優美的外形與樸實溫厚之質感。藉由布料以剪紙技法之表現在袋包、服裝與油紙傘上做 局部裝飾設計創作，將傳統之造形與技法，置入現代科技化的世代，以設計出保有傳統之美 又具有創新的設計風格。 本文分為文獻探討和設計創作兩部份：一.以發揚民族文化和地方藝術的特色為設計出發點， 運用剪紙藝術之陽刻剪紙的表現技法，在視覺設計上做對稱剪紙圖紋形式的應用，結合不同 的素材搭配作為設計之創作。二.使服飾、袋包與油紙傘能與傳統藝術相互融合，打破剪紙運 用於傳統民俗裝飾上的印象，以新面貌呈現更多元化的搭配，提升剪紙的應用範圍。 本文以中國剪紙技法為主軸，所得之重要結果：由地域關係分析出南北方和各個朝代因地理 人文發展的差異性形成不同的創作特色；再者，分析剪紙創作之多元面貌，歸納出取材領域 的不同；使得應用於平面之剪紙創作經過重組與創造，恰如其分的表露出時代面貌；運用此 技法形式創作於袋包服飾與油紙傘上，將原本保有裝飾美的剪紙工藝技術，轉化為服裝、袋 包的依附，更帶出不同的風貌展現獨特的品味，這將是現今設計在思考傳統延續命題之餘與 做為創新展現手法的重要探索。 關鍵詞：服飾、袋包、油紙傘、剪紙工藝、裝飾性。 Abstract Using bags and costumes is regarded as the extension of human body, and the oilpaper umbrellas which was a necessity of life in early days also has graceful appearance and unvarnished tender quality feeling. Through the paper cutting skill performing with fabrics, local decorative designs were made for bags, costumes and oilpaper umbrella to integrate this traditional figuration and skill into the modern age of science and technology and to develop an innovative designing style with traditional beauty. This thesis was divided into two parts (the literature review and the designing): i. Based on the national culture and the local art, this part made use of the intagliated paper cutting skill to make B1-1 symmetrical cutting patterns with various materials for visual designing; ii. This part combined costumes, bags and oilpaper umbrellas with the traditional art so that the old impression which applied paper cutting to traditional folk adornments was broken and the new impression arose with diversified arranging me