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CONTENTS
NOTES
ABOUT THE TRANSCRIPTIONS
These
ten pieces,
which appear
in print for thefirsttime,weretranscribed
directry
from
Dilermando Reisoriginal recordings.
Asidefrom va se rc Agradat the other nine
selections
haveone recorded
versioneach.
A roughtranslationiwirr, ,rra .r
sobradinho,
for it is impossibie .pti.
to know the exactmeaningD ermandohad i., -i.ra-
and the recordingdateappear parenthesis
in next to the title.
Alma Apaixonada SouI
/ in Love (196grecording)
This piece,though written in 3/4, is not exactrya wartz.Dilermando praysit as a
sentimentarsong.Thereare many gracenotesanticipatingthe bassline. Someare
stylisticand somewere probablyusedto facilitatethe-performance.
Desengano Disenchantment
/ (1966recording)
This is agreatchorowith a strongmelody.Notethat some gaps
in the main merodyare
filled in with anotheronewhich creates
a kind of questionand answereffect.
Eterna Saudade Etemal
/ Longing (1963recording)
Thisisoneof Reis
typicarwaltzes.
written in aminor ket it mustbeprayed
srowlyand
with a melancholicfeeling.Thereis a nicecontrasti
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